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In the court of the Pear King : French culture and the rise of realism /

"The period 1830-1832 witnessed a remarkable series of cultural and political milestones in France. In 1830, a revolution overturned one monarchy, only to replace it with another. In 1831, Charles Philippon's caricature of Louis-Philippe, the new monarch, as a pear achieved extraordinary p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Petrey, Sandy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2005.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a In the court of the Pear King :  |b French culture and the rise of realism /  |c Sandy Petrey. 
260 |a Ithaca :  |b Cornell University Press,  |c 2005. 
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505 0 |a Cover; IN THE COURT OF THE PEAR KING; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; 1. It's a Pear!; 2. Realist Reality and Realist Duality; 3. George Sand the Phallocrat and Don Juan the Pussycat; 4. Liberty the Goddess, Robert the Devil, and Louis-Philippe the King; 5. Julien, Lucien, and Realist History; Conclusion: Realism Is Representational; Notes; Work Cited; Index 
504 |a Includes bibliographical references (pages 157-175) and index. 
520 1 |a "The period 1830-1832 witnessed a remarkable series of cultural and political milestones in France. In 1830, a revolution overturned one monarchy, only to replace it with another. In 1831, Charles Philippon's caricature of Louis-Philippe, the new monarch, as a pear achieved extraordinary popularity. Drawn on walls from one end of France to another, the pear caricature became a national obsession. In that same year, George Sand moved from the provinces to Paris and challenged gender stereotypes by adopting men's clothes and writing fiction in a man's voice. During 1830-1832, Stendhal and Balzac developed the techniques of the realist novel that still dominate much of the world's fiction. 
520 8 |a Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket. 
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