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Origins and the Enlightenment : aesthetic epistemology from Descartes to Kant /
"The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca :
Cornell University Press,
2004.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Labio, Catherine. | |
| 245 | 1 | 0 | |a Origins and the Enlightenment : |b aesthetic epistemology from Descartes to Kant / |c Catherine Labio. |
| 264 | 1 | |a Ithaca : |b Cornell University Press, |c 2004. | |
| 300 | |a 1 online resource (xii, 193 pages) | ||
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| 504 | |a Includes bibliographical references (pages 175-188) and index. | ||
| 505 | 0 | 0 | |t Descartes's fabulous world -- |t Vico's genetic principle -- |t Origins here and now -- |t The primitive imagination -- |t Kant's abyss: serialization and originality. |
| 520 | 1 | |a "The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy." | |
| 520 | 8 | |a "Labio analyzes the views held by a variety of European thinkers - including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young - on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials."--Jacket | |
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Aesthetics, Modern |y 18th century. | |
| 650 | 0 | |a Origin (Philosophy) |x History |y 18th century. | |
| 650 | 0 | |a Knowledge, Theory of |x History |y 18th century. | |
| 650 | 0 | |a Originality (Aesthetics) |x History |y 18th century. | |
| 650 | 6 | |a Esthétique |y 18e siècle. | |
| 650 | 6 | |a Origine (Philosophie) |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Théorie de la connaissance |x Histoire |y 18e siècle. | |
| 650 | 6 | |a Originalité (Esthétique) |x Histoire |y 18e siècle. | |
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| 650 | 1 | 7 | |a Esthetica. |2 gtt |
| 650 | 1 | 7 | |a Kennistheorie. |2 gtt |
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| 776 | 0 | 8 | |i Print version: |a Labio, Catherine. |t Origins and the Enlightenment. |d Ithaca : Cornell University Press, 2004 |z 0801442753 |w (DLC) 2004007165 |w (OCoLC)54929448 |
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