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|a UAMI
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|a Marsden, Jean I.
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|a Fatal desire :
|b women, sexuality, and the English stage, 1660-1720 /
|c Jean I. Marsden.
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|a Ithaca, N.Y. :
|b Cornell University Press,
|c 2006.
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|a 1 online resource (viii, 216 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a data file
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|a Includes bibliographical references (pages 195-205) and indexes.
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|a Female spectatorship, Jeremy Collier, and the antitheatrical debate -- Women watching : the female spectator in late-seventeenth-century comedy -- Falling women : she-tragedy and sexual spectacle -- Women writing women : female authors of she-tragedy -- Nicholas Rowe and the second generation of she-tragedy -- Sex, politics, and the Hanoverian succession : refiguring Lady Jane Grey.
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|a "Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century - a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience." "Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period."--Jacket
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English drama
|y Restoration, 1660-1700
|x History and criticism.
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|a Women in the theater
|z England
|x History
|y 17th century.
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|a English drama (Tragedy)
|x History and criticism.
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|a Women and literature
|z England
|x History
|y 17th century.
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|a Literature and society
|z England
|x History
|y 17th century.
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|a Sex role in literature.
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|a Théâtre anglais
|y 1660-1700 (Restauration)
|x Histoire et critique.
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|a Femmes au théâtre
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Tragédie anglaise
|x Histoire et critique.
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|a Femmes et littérature
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Littérature et société
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Rôle selon le sexe dans la littérature.
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|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
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|a English drama
|x Restoration.
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|0 (OCoLC)fst01710951
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|a English drama (Tragedy)
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|0 (OCoLC)fst00910801
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|a Literature and society.
|2 fast
|0 (OCoLC)fst01000096
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|a Sex role in literature.
|2 fast
|0 (OCoLC)fst01114649
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|a Women and literature.
|2 fast
|0 (OCoLC)fst01177093
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|a Women in the theater.
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|a England.
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|a Frau
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|a Sexualität
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|a Drama
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|a Englisch.
|2 swd
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|a 1600-1700
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
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|0 (OCoLC)fst01411628
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|i Print version:
|a Marsden, Jean I.
|t Fatal desire.
|d Ithaca, N.Y. : Cornell University Press, 2006
|z 0801444470
|w (DLC) 2005027429
|w (OCoLC)61694800
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv2n7hrc
|z Texto completo
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