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|a 9780520970694
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|2 23
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|a UAMI
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|a Steinhart, Daniel,
|d 1977-
|e author.
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|a Runaway Hollywood :
|b internationalizing postwar production and location shooting /
|c Daniel Steinhart.
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|a Oakland, California :
|b University of California Press,
|c [2019]
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|a 1 online resource (xv, 282 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a Includes bibliographical references and index.
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|a Prologue : movie ruins -- Introduction : "Have talent, will travel" -- All the world's a studio : the design and debates of postwar "runaway" productions -- Case study : tax evasion, red-baiting, and the white whale : Moby Dick (1956) -- London, Rome, Paris : the infrastructure of Hollywood's mode of international production -- Lumière, camera, azione! : the personnel and practices of Hollywood's mode of international production -- Case study : When in Rome : Roman Holiday (1953) -- A cook's tour of the world : the art of international location shooting -- Case study : Mental spaces and cinematic places : Lust for Life (1956) -- Epilogue : sunken movie relics -- Appendix : Hollywood's international productions, 1948-1962.
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|a "After World War II, as Hollywood faced a changing industrial landscape, movie studios shifted some production activities overseas, where they capitalized on frozen foreign earnings, cheap labor, and striking locations. Hollywood unions called the phenomenon "runaway" production to underscore the dispersal of employment opportunities. Examining the late 1940s to early 1960s, Runaway Hollywood details these changes, showing how film companies exported production around the world and the effect of this move on visual style. It uses an array of historical materials to trace the industry's creation of a more global production operation that intermixed craft practices and aesthetic ideas from Hollywood and abroad"--Provided by publisher.
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|a Online resource; title from digital title page (viewed on April 08, 2019).
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|a Motion pictures
|x Production and direction
|z United States
|x History
|y 20th century.
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|a Motion picture industry
|x Economic aspects
|z United States.
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|a Motion picture locations.
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|a Cinéma
|x Production et réalisation
|z États-Unis
|x Histoire
|y 20e siècle.
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|a Cinéma
|x Industrie
|x Aspect économique
|z États-Unis.
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|a Extérieurs (Cinéma)
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a HISTORY
|z United States
|y 20th Century.
|2 bisacsh
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|a Motion picture industry
|x Economic aspects.
|2 fast
|0 (OCoLC)fst01027155
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|a Motion picture locations.
|2 fast
|0 (OCoLC)fst01027200
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|a Motion pictures
|x Production and direction.
|2 fast
|0 (OCoLC)fst01027357
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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|a 1900-1999
|2 fast
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Steinhart, Daniel, 1977-
|t Runaway Hollywood.
|d Oakland, California : University of California Press, [2019]
|z 9780520298637
|w (DLC) 2018027843
|w (OCoLC)1041245456
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvd1c7kn
|z Texto completo
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