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Frenzy /
Frenzy is perhaps Hitchcock's most nakedly autobiographical film, representing both a comeback and farewell to the city of his birth. Ian Cooper discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as a key film of "&qu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leighton Buzzard :
Auteur,
2018.
|
| Colección: | Devil's advocates.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1041909391 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 180621t20182018enka ob 001 0 eng d | ||
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| 019 | |a 1237546308 | ||
| 020 | |a 9781911325376 |q (electronic bk.) | ||
| 020 | |a 191132537X |q (electronic bk.) | ||
| 020 | |a 9781800347090 |q (electronic bk.) | ||
| 020 | |a 180034709X |q (electronic bk.) | ||
| 020 | |z 1911325361 |q (print) | ||
| 020 | |z 9781911325369 |q (print) | ||
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| 035 | |a (OCoLC)1041909391 |z (OCoLC)1237546308 | ||
| 037 | |a 22573/ctv137k6mf |b JSTOR | ||
| 050 | 4 | |a PN1998.3.H58 |b C66 2018 | |
| 082 | 0 | 4 | |a 791.43/72 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Cooper, Ian |c (Freelance writer), |e author. | |
| 245 | 1 | 0 | |a Frenzy / |c Ian Cooper. |
| 264 | 1 | |a Leighton Buzzard : |b Auteur, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Devil's advocates | |
| 504 | |a Includes bibliographical references (pages 89-94) and index. | ||
| 505 | 0 | |a Amuse-bouche -- The starter -- Entrée -- Main course -- Last supper -- Bibliography. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 18, 2018). | |
| 520 | |a Frenzy is perhaps Hitchcock's most nakedly autobiographical film, representing both a comeback and farewell to the city of his birth. Ian Cooper discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as a key film of ""sleazy Seventies"" British cinema. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 630 | 0 | 0 | |a Frenzy (Motion picture) |
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980 |2 fast |
| 630 | 0 | 7 | |a Frenzy (Motion picture) |2 fast |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cooper, Ian (Freelance writer). |t Frenzy. |d Leighton Buzzard : Auteur, 2018 |z 1911325361 |z 9781911325369 |
| 830 | 0 | |a Devil's advocates. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv138412b |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37434846 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6225906 | ||
| 938 | |a Bloomsbury Publishing |b BLOO |n z00000921 | ||
| 994 | |a 92 |b IZTAP | ||