An accented cinema : exilic and diasporic filmmaking /
An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre.
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Princeton :
Princeton University Press,
©2001.
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Temas: | |
Acceso en línea: | Texto completo Texto completo |
MARC
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100 | 1 | |a Naficy, Hamid. | |
245 | 1 | 3 | |a An accented cinema : |b exilic and diasporic filmmaking / |c Hamid Naficy. |
264 | 1 | |a Princeton : |b Princeton University Press, |c ©2001. | |
300 | |a 1 online resource (xv, 374 pages) : |b illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
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347 | |a data file | ||
504 | |a Includes bibliographical references (pages 317-348) and index. | ||
505 | 0 | |a Situating accented cinema -- Interstitial and artisanal mode of production -- Collective mode of production -- Epostolarity and epostolary narratives -- Chronotopes of imagined homeland -- Chronotopes of life in exile: claustrophobia, contemporaneity -- Journeying, border crossing, and identity crossing. | |
520 | |a An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre. | ||
588 | 0 | |a Print version record. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
590 | |a JSTOR |b Books at JSTOR All Purchased | ||
630 | 0 | 7 | |a Bibel |p Philemonbrief |2 gnd |
650 | 0 | |a Motion pictures |z Developing countries. | |
650 | 0 | |a Intercultural communication in motion pictures. | |
650 | 6 | |a Communication interculturelle au cinéma. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
650 | 7 | |a Intercultural communication in motion pictures. |2 fast |0 (OCoLC)fst00976110 | |
650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
651 | 7 | |a Developing countries. |2 fast |0 (OCoLC)fst01242969 | |
650 | 7 | |a Exil |2 gnd | |
650 | 7 | |a Kulturkontakt |2 gnd | |
651 | 7 | |a Entwicklungsländer |2 gnd | |
650 | 1 | 7 | |a Filmkunst. |2 gtt |
650 | 1 | 7 | |a Ontwikkelingslanden. |2 gtt |
650 | 1 | 7 | |a Interculturele communicatie. |2 gtt |
650 | 0 | 7 | |a Film. |2 swd |
776 | 0 | 8 | |i Print version: |a Naficy, Hamid. |t Accented cinema. |d Princeton : Princeton University Press, ©2001 |z 0691043922 |w (DLC) 00057458 |w (OCoLC)44516753 |
856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt15zc7zj |z Texto completo |
856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv346qqt |z Texto completo |
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