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The webcam as an emerging cinematic medium /
All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's or...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| Colección: | Film culture in transition.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Albuquerque, Paula, |e author. | |
| 245 | 1 | 4 | |a The webcam as an emerging cinematic medium / |c Paula Albuquerque. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 300 | |a 1 online resource (237 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Film culture in transition | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 520 | 8 | |a All the world's a stage - literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalising elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Ackowledgments -- |t Introduction -- |t 1. Video Surveillance versus the Affected Personal Cam -- |t 2. Post-Panopticism and the Attention Economy -- |t 3. From Cinematographic to Cinematic Apparatus -- |t 4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- |t 5. Webcams and the Archive -- |t 6. Appropriating the Cinematic Apparatus -- |t Conclusion -- |t Bibliography -- |t List of Images -- |t Index of Authors -- |t Index of Makers -- |t Index of Subjects / Artworks |
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| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a Media studies. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Albuquerque, Paula. |t Webcam as an emerging cinematic medium. |d Amsterdam : Amsterdam University Press, [2018] |z 9789462985582 |w (OCoLC)1022526848 |
| 830 | 0 | |a Film culture in transition. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2bct8w |z Texto completo |
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