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|a Knapp, Raymond,
|e author.
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|a The American musical and the formation of national identity /
|c Raymond Knapp.
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|a Princeton, N.J. :
|b Princeton University Press,
|c [2005]
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|c ©2005
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|a 1 online resource (xxii, 361 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references (pages 341-349) and index.
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|a Introductions. Contexts and strategies ; Nineteenth-century European roots : models and topics ; Early American developments : minstrelsy, extravaganza, pantomime, burlesque, vaudeville ; American song through Tin Pan Alley -- Defining America. Whose (Who's) America? ; American mythologies ; Counter-mythologies -- Managing America's others. Race and ethnicity ; Dealing with the Second World War ; Exoticism ; Afterword : other directions, other identities -- Appendix A : Art and commerce : the business of making musicals.
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|a Print version record.
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|a Along with jazz & the American motion picture, the American musical is a distinctive art form that emerged in the first half of the 20th century. Raymond Knapp explores its origins & the themes that have dominated up to the modern day.
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|a Musicals
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|a National characteristics, American.
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|a Comédies musicales
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|a MUSIC
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|a Musicals
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|a Criticism, interpretation, etc.
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|i Print version:
|a Knapp, Raymond.
|t American musical and the formation of national identity.
|d Princeton, N.J. : Princeton University Press, ©2005
|z 0691118647
|w (DLC) 2004041469
|w (OCoLC)54007249
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv39x6z2
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