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Metafilm : materialist rhetoric and reflexive cinema /
"A rhetorical analysis of the films of Michael Haneke, Atom Egoyan, Icíar Bollaín, Paul Thomas Anderson, and Ryan Coogler that problematizes the ethics of spectatorship by drawing attention to the material circumstances around them"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus :
The Ohio State University Press,
[2018]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Carter, Christopher, |d 1974- |e author. | |
| 245 | 1 | 0 | |a Metafilm : |b materialist rhetoric and reflexive cinema / |c Christopher Carter. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Refusal -- Mediated mourning -- Material correspondences -- Sound affect -- Witness -- Conclusion: Un certain regard (or, four ways of looking back). | |
| 520 | |a "A rhetorical analysis of the films of Michael Haneke, Atom Egoyan, Icíar Bollaín, Paul Thomas Anderson, and Ryan Coogler that problematizes the ethics of spectatorship by drawing attention to the material circumstances around them"-- |c Provided by publisher. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed June 21, 2018). | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Film criticism. | |
| 650 | 0 | |a Motion picture producers and directors |v Interviews. | |
| 650 | 0 | |a Materialism. | |
| 650 | 0 | |a Rhetoric. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |v Entretiens. | |
| 650 | 6 | |a Matérialisme. | |
| 650 | 6 | |a Rhétorique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x General. |2 bisacsh | |
| 650 | 7 | |a Film criticism. |2 fast |0 (OCoLC)fst00924259 | |
| 650 | 7 | |a Materialism. |2 fast |0 (OCoLC)fst01011758 | |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 650 | 7 | |a Rhetoric. |2 fast |0 (OCoLC)fst01096948 | |
| 655 | 7 | |a Interviews. |2 fast |0 (OCoLC)fst01423832 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1shtx9z |z Texto completo |
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