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|a 1175632579
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|a 22573/ctt1vm7chd
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|a PN1995.9.M66
|b S73 2018eb
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|a UAMI
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|a Stanfield, Peter,
|d 1958-
|e author.
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|a Hoodlum movies :
|b seriality and the outlaw biker film cycle, 1966-1972 /
|c Peter Stanfield.
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|a New Brunswick :
|b Rutgers University Press,
|c [2018]
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|c ©2018
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a online resource
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|a Includes bibliographical references and index.
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|a Introduction: hoodlum poses and gestures -- Strange excitements: the topical and the sensational -- Getting out of town: the cycle unfolds -- After Easy rider: modulations and curious combinations -- Nazi satanists, Viet vets and M'cycle mamas (and other such pulp delights) -- Conclusion: buried in the sand forever.
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|a Online resource; title from PDF title page (EBSCO, viewed June 15, 2018).
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|a Hoodlum Movies focuses on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were produced to appeal to audiences of mobile youths until 1972.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Motorcycle films
|x History and criticism.
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|a Motion pictures
|y 20th century
|x History and criticism.
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|a Films de motards
|x Histoire et critique.
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|a Cinéma
|y 20e siècle
|x Histoire et critique.
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|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
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|a Motion pictures
|2 fast
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|a Motorcycle films
|2 fast
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a Stanfield, Peter, 1958-
|t Hoodlum movies.
|d New Brunswick : Rutgers University Press, [2018]
|w (DLC) 2017053306
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1vjqqm7
|z Texto completo
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|a Askews and Holts Library Services
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|n AH40528794
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|a De Gruyter
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