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Music criticism in France, 1918-1939 : authority, advocacy, legacy /
This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
The Boydell Press,
2018.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Music criticism in France, 1918-1939 : |b authority, advocacy, legacy / |c edited by Barbara L. Kelly and Christopher Moore. |
| 264 | 1 | |a Woodbridge : |b The Boydell Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xi, 346 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas. | ||
| 505 | 0 | 0 | |t Music criticism and aesthetics during the interwar period : fewer crimes and more punishments / |r Michel Duchesneau -- |t Nostalgia and violence in the music criticism of L'Action française / |r Christopher Moore -- |t Charles Koechlin : the figure of the expert / |r Philippe Cathe -- |t Bleu-horizon politics and music for radio listeners : L'Initiation à la musique (1935) / |r Jann Pasler -- |t Common canon, conflicting ideologies : music criticism in performance in interwar France / |r Barbara L. Kelly -- |t Arthur Honegger : music critic for Musique et théâtre (1925-1926) / |r Pascal Lecroart -- |t A woman's critical voice : Nadia Boulanger and Le Monde musical, 1919-1923 / |r Kimberly Francis -- |t From a foreign correspondent : the Parisian chronicles of Alejo Carpentier / |r Caroline Rae -- |t Debussy's "reputational entrepreneurs" : Vuillermoz, Koechlin, Laloy and Vallas / |r Marianne Wheeldon -- |t Legacy of war : conceptualising wartime musical life in the post-war musical press, 1919-1920 / |r Rachel Moore -- |t Satie, Relâche and the critics : controversies and legacy / |r Jacinthe Harbec -- |t Creating a canon : Émile Vuillermoz's Musiques d'aujourd'hui and French musical modernity / |r Danick Trottier. |
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Music |z France |y 20th century |x History and criticism. | |
| 650 | 6 | |a Musique |z France |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 650 | 7 | |a Musikkritik |2 gnd | |
| 651 | 7 | |a Frankreich |2 gnd | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Kelly, Barbara L., |e editor. | |
| 700 | 1 | |a Moore, Christopher |c (Musicologist), |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Music criticism in France, 1918-1939. |d Woodbridge : The Boydell Press, 2018 |z 1783272511 |z 9781783272518 |w (OCoLC)1007747547 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1wx90rq |z Texto completo |
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