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British musical criticism and intellectual thought, 1850-1950 /
This collection provides an in-depth look at musical criticism between the mid-nineteenth and the mid-twentieth century.
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge :
The Boydell Press,
2018.
|
| Colección: | Music in Britain, 1600-2000.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Trends in British musical thought, 1850-1950 / Jeremy Dibble and Julian Horton
- Avoiding "coarse invective" and "unseemly vehemence" : English music criticism, 1850-1870 / Peter Horton
- Spencer, sympathy and the Oxford school of music criticism / Bennett Zon
- Free thought and the musician : Ernest Walker, the "English Hanslick" / Jeremy Dibble
- Ernest Newman and the promise of method in biography, criticism and history / Paul Watt
- "Making symphony articulate" : Bernard Shaw's sense of music history / Harry White
- Analysis and value judgment : Schumann, Bruckner and Tovey's Essays in musical analysis / Julian Horton
- The scholar as critic : Edward J. Dent / Karen Arrandale
- Russia and Eastern Europe / Philip Ross Bullock
- Anti-intellectualism and the rhetoric of "national character" in music : the vulgarity of over-refinement / Sarah Collins
- Chosen causes : writings on music by Bernard van Dieren, Peter Warlock and Cecil Gray / Séamas de Barra
- "Es klang so alt und war doch so neu" : Vaughan Williams, aesthetics and history / Aidan J. Thomson
- Constant Lambert : a critic for today? a commentary on Music ho! / Christopher Mark
- The challenge to goodwill : Herbert Howells, Alban Berg and "the modern problem" / Jonathan Clinch
- Hans Keller : the making of an "anti-critic" / Patrick Zuk.