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Dance, disability and law : InVisible difference /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Whatley, Sarah (Editor ), Waelde, Charlotte (Editor ), Harmon, Shawn (Editor ), Brown, Abbe E. L. (Abbe Elizabeth Lockhart) (Editor ), Wood, Karen (Editor ), Blades, Hetty, 1985- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol, UK : Intellect, 2018.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Half Title; Title; Copyright; Contents; Preface; Introduction; Section I: Disability, Dance and Critical Frameworks; Chapter 1: Disabled Dance: Barriers to Proper Inclusion within Our Cultural Milieu; Chapter 2: Cultural Heritage and the Unseen Community; Chapter 3: An Analysis of Reporting and Monitoring in Relation to the United Nations Convention on the Rights of Persons with Disabilities, the Right to Participation in Cultural Life and Intellectual Property; Chapter 4: A Dance of Difference: The Tripartite Model of Disability and the Cultural Heritage of Dance.
  • Chapter 5: In a Different Light? Broadening the Bioethics Perspective through DanceInterruption 1: 11 November 2015: Dance, Medicine and Marginalisation: The Limits of Law and a Shift to Values; Interruption 2: 27 October 2014: Language; Interruption 3: 21 November 2013: Difference? : The InVisible Difference Team; Section II: Disability, Dance and the Demands of a New Aesthetic; Chapter 6: A Wondering (in Three Parts); Chapter 7: A New Foundation: Physical Integrity, Disabled Dance and Cultural Heritage; Chapter 8: Disability and Dance: The Disabled Sublime or Joyful Encounters?
  • Chapter 9: Moving Towards a New Aesthetic: Dance and DisabilityChapter 10: What We Can Do with Choreography, and What Choreography Can Do with Us; Chapter 11: Dancing Identity: The Journey from Freak to Hero and Beyond; Chapter 12: Dance Disability and Aesthetics: A Changing Discourse; Interruption 4: 1 April 2014: Difference; Interruption 5: 29 July 2015: Disability Dance and Philosophy: Liminal Spaces; Interruption 6: 14 September 2015: A Wider Significance for a Philosophy of Disabled Dance?; Section III: Disability, Dance and Audience Engagement.
  • Chapter 13: The (Disabled) Artist Is PresentChapter 14: Disability, Disabled Dance Audiences and the Dilemma of Neuroaesthetic Approaches to Perception and Interpretation; Chapter 15: Finding It When You Get There; Interruption 7: 6 October 2015: Understanding and Appreciation; Interruption 8: 10 June 2015: Mainstream and Marginal: Have We Progressed in the Last Decade Plus?; Interruption 9: 29 June 2015: Mainstream or Marginal? Still on the Edge ... Disabled Dance?; Policy Brief for Venues: Providing Space. Obligations and Approaches to Dancers with Different Bodies.
  • Position Brief for Dancers. Policy Brief: Asserting CopyrightPolicy Brief: For Dancers; Interruption 10: 27 March 2017: The Need for a Wide Approach; Interruption 11: 1 March 2017: Golden Age?; Interruption 12: 14 March 2017: Disabled Dancers: Agents of Change?; Annex 1: Blog Postings; Annex 2: Policy Briefs; Notes on Contributors; Index; Back Cover.