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|a UAMI
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|a Dance, disability and law :
|b InVisible difference /
|c edited by Sarah Whatley [and 5 others].
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|a Bristol, UK :
|b Intellect,
|c 2018.
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| 300 |
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|a 1 online resource (x, 396 pages)
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|a text
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|a Online resource; title from PDF title page (EBSCO, viewed July 13, 2018).
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|a Includes bibliographical references and index.
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|a Cover; Half Title; Title; Copyright; Contents; Preface; Introduction; Section I: Disability, Dance and Critical Frameworks; Chapter 1: Disabled Dance: Barriers to Proper Inclusion within Our Cultural Milieu; Chapter 2: Cultural Heritage and the Unseen Community; Chapter 3: An Analysis of Reporting and Monitoring in Relation to the United Nations Convention on the Rights of Persons with Disabilities, the Right to Participation in Cultural Life and Intellectual Property; Chapter 4: A Dance of Difference: The Tripartite Model of Disability and the Cultural Heritage of Dance.
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|a Chapter 5: In a Different Light? Broadening the Bioethics Perspective through DanceInterruption 1: 11 November 2015: Dance, Medicine and Marginalisation: The Limits of Law and a Shift to Values; Interruption 2: 27 October 2014: Language; Interruption 3: 21 November 2013: Difference? : The InVisible Difference Team; Section II: Disability, Dance and the Demands of a New Aesthetic; Chapter 6: A Wondering (in Three Parts); Chapter 7: A New Foundation: Physical Integrity, Disabled Dance and Cultural Heritage; Chapter 8: Disability and Dance: The Disabled Sublime or Joyful Encounters?
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|a Chapter 9: Moving Towards a New Aesthetic: Dance and DisabilityChapter 10: What We Can Do with Choreography, and What Choreography Can Do with Us; Chapter 11: Dancing Identity: The Journey from Freak to Hero and Beyond; Chapter 12: Dance Disability and Aesthetics: A Changing Discourse; Interruption 4: 1 April 2014: Difference; Interruption 5: 29 July 2015: Disability Dance and Philosophy: Liminal Spaces; Interruption 6: 14 September 2015: A Wider Significance for a Philosophy of Disabled Dance?; Section III: Disability, Dance and Audience Engagement.
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|a Chapter 13: The (Disabled) Artist Is PresentChapter 14: Disability, Disabled Dance Audiences and the Dilemma of Neuroaesthetic Approaches to Perception and Interpretation; Chapter 15: Finding It When You Get There; Interruption 7: 6 October 2015: Understanding and Appreciation; Interruption 8: 10 June 2015: Mainstream and Marginal: Have We Progressed in the Last Decade Plus?; Interruption 9: 29 June 2015: Mainstream or Marginal? Still on the Edge ... Disabled Dance?; Policy Brief for Venues: Providing Space. Obligations and Approaches to Dancers with Different Bodies.
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|a Position Brief for Dancers. Policy Brief: Asserting CopyrightPolicy Brief: For Dancers; Interruption 10: 27 March 2017: The Need for a Wide Approach; Interruption 11: 1 March 2017: Golden Age?; Interruption 12: 14 March 2017: Disabled Dancers: Agents of Change?; Annex 1: Blog Postings; Annex 2: Policy Briefs; Notes on Contributors; Index; Back Cover.
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 650 |
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|a Dancers with disabilities
|x Legal status, laws, etc.
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| 650 |
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|a Dance for people with disabilities.
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| 650 |
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|a Danse pour personnes handicapées.
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|2 bisacsh
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|2 bisacsh
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| 700 |
1 |
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|a Whatley, Sarah,
|e editor.
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| 700 |
1 |
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|a Waelde, Charlotte,
|e editor.
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| 700 |
1 |
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|a Harmon, Shawn,
|e editor.
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| 700 |
1 |
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|a Brown, Abbe E. L.
|q (Abbe Elizabeth Lockhart),
|e editor.
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| 700 |
1 |
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|a Wood, Karen,
|e editor.
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| 700 |
1 |
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|a Blades, Hetty,
|d 1985-
|e editor.
|
| 776 |
0 |
8 |
|i Print version:
|a Whatley, Sarah.
|t Dance, Disability and Law : InVisible difference.
|d Bristol : Intellect Books Ltd, ©2018
|z 9781783208685
|
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