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|a UAMI
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|a Dissanayake, Ellen.
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|a Homo Aestheticus :
|b Where Art Comes From and Why.
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|a Washington :
|b University of Washington Press,
|c 1992.
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|a 1 online resource (321 pages)
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|a Cover -- Title -- Copyright -- Contents -- Preface to the 1995 Edition -- Preface to the Original Edition -- Acknowledgments -- 1. Introduction: Why Species-Centrism? -- 2. Biology and Art: The Implications of Feeling Good -- 3. The Core of Art: Making Special -- 4. Dromena, or ""Things Done"": Reconciling Culture and Nature -- 5. The Arts as Means of Enhancement -- 6. ""Empathy Theory"" Reconsidered: The Psychobiology of Aesthetic Responses -- 7. Does Writing Erase Art? -- Notes -- References -- Index of Names -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P.
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|a Q -- R -- S -- T -- V -- W -- Y -- Z -- Index of Subjects -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Credits.
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|a Includes bibliographical references (pages 255-271) and indexes.
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|a JSTOR
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|a Aesthetics.
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|a Aesthetics.
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|a ART
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|a SOCIAL SCIENCE / Anthropology / Cultural
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|a Aesthetics
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|i Print version:
|a Dissanayake, Ellen.
|t Homo Aestheticus : Where Art Comes From and Why.
|d Washington : University of Washington Press, ©1992
|z 9780295974798
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvct01j9
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