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New transnationalisms in contemporary Latin American cinemas /
In the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were co...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press Ltd,
[2018]
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| Colección: | Traditions in world cinema.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- FIGURES
- TABLES
- TRADITIONS IN WORLD CINEMA
- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING
- MEXICO: INTRODUCTION
- Introduction
- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS
- 2. 'FROM HOLLYWOOD AND BACK': ALFONSO CUARÓN'S ADVENTURES IN GENRE
- 3. GUILLERMO DEL TORO'S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL'S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN'S LABYRINTH 2006)
- BRAZIL: INTRODUCTION
- Introduction
- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR
- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES' DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012)
- ARGENTINA: INTRODUCTION
- Introduction
- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009)
- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015)
- SELECT FILMOGRAPHY
- BIBLIOGRAPHY
- INDEX