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JSTOR_on1037811754 |
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20231005004200.0 |
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m o d |
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cr cnu---unuuu |
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180526s2018 au o 000 0 ger d |
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|a EBLCP
|b eng
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|c EBLCP
|d MERUC
|d JSTOR
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|a 9783990125045
|q (electronic bk.)
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|a 3990125044
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|a 780.2
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|a UAMI
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|a Baldassarre, Antonio.
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|a Music Cultures in Sounds, Words and Images. :
|b Essays in honor of Zdravko Blažeković.
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|a Wien :
|b Hollitzer Wissenschaftsverlag,
|c 2018.
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| 300 |
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|a 1 online resource (813 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Print version record.
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|6 880-01
|a Cover; Imprint; Table of Contents; ANTONIO BALDASSARRE & TATJANA MARKOVIĆ Introduction; SOUNDS OF NATIONS; BEATA NAVRATIL; MUSIC IN POETRY: TUMANIAN 'S ANUSH; TATJANA MARKOVIĆ; "CROATNESS" IN MUSIC: SONGFULLY ITALIAN, SOLIDLY GERMAN, A LITTLE BIT "ORIENTAL", AND ABOVE ALL SLAVIC; IRA PRODANOV; WOMAN IN MOKRANJAC'S RUKOVETI; ALEXANDROS CHARKIOLAKIS; IDEOLOGICAL SCHEMES AND NATIONAL PERSPECTIVES. THE USE OF THE GREEK NATIONAL ANTHEM IN CHOISY'S EXILE DU PATRE AND KASASSOGLOU'S FOUR PRELUDES FOR THE RETURN FROM THE FRONT; DALIBOR DAVIDOVIĆ; FILMFUGE; WORDS ON MUSIC; ELEONORA ROCCONI.
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|a THE EDITION OF MARCUS MEIBOM'S ARISTOXENI HARMONICORUM ELEMENTORUM LIBRI TRES AND ITS CONTRIBUTION TO THE KNOWLEDGE OF ANCIENT GREEK MUSIC THEORY IN THE SEVENTEENTH CENTURYNICO SCHÜLER; REFLECTIONS ON HUGO RIEMANN'S MUSIK-LEXIKON AND HIS MUSIC HISTORIOGRAPHY; ALEKSANDAR VASIĆ; ZNAČAJ SRPSKOG KNJIŽEVNOG GLASNIKA (1901-1941) U ISTORIJI SRPSKE MUZIKE (THE IMPORTANCE OF SRPSKI KNJIŽEVNI GLASNIK (1901-1941) IN THE HISTORY OF SERBIAN MUSIC); LEON STEFANIJA; SLOVENIAN MODERNISMS SINCE 1918: EVASIVE IDEA(L)S OF THE CLASSICAL; BENJAMIN KNYSAK; IMMIGRANT MUSIC JOURNALS IN THE UNITED STATES.
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| 505 |
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|a JEWISH VESTIGES ON THE BANKS OF THE DANUBE: SYNAGOGUE MUSIC IN "PANNONIA "ANTONIO BALDASSARRE; IDENTITY, RITUAL AND MATERIALITY OF BOURGEOIS POWER PERFORMANCE: OSKAR REINHART'S CLUB ZUR GEDULD IN WINTERTHUR; URSULA HEMETEK; VOCAL MUSIC OF THE BURGENLAND CROATS: ON RESEARCH HISTORY AND THE IMPACT OF METHODOLOGY; MELITA MILIN; MUZIČKI BIJENALE ZAGREB I SRPSKA MUZIČKA SCENA: JUGOSLOVENSKI PERIOD (MUSIC BIENNALE ZAGREB AND THE SERBIAN MUSIC SCENE: THE YUGOSLAV PERIOD); ANTONI PIZÀ; JOAN AND JOHN: HOW MIRÓ SPONSORED THE MERCE CUNNINGHAM DANCE COMPANY IN SITGES IN 1966; IMAGES ON MUSIC.
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|a DANIELA CASTALDOIMAGES OF ANCIENT MUSIC IN JEAN -JACQUES BOISSARD'S WORKS; ELENA FERRARI-BARASSI; ANTONIO CANOVA E LE MUSE: SCULTURA, TEMPERA E ALTRI MEZZI PER REINTERPRETARE L'ANTICHITÀ (ANTONIO CANOVA AND THE MUSES: MARBLE, TEMPERA AND OTHER MEANS TO REINTERPRET ANTIQUITY); NICOLETTA GUIDOBALDI.
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| 500 |
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|a IL CONCERTO DELLE MUSE NELLA CITTÀ IDEALE: INDAGINI SUL PROGRAMMA ICONOGRAFICO DEL TEMPIETTO DEL PALAZZO DUCALE DI URBINO CON UN'IPOTESI DI RICOSTRUZIONE VIRTUALE (THE CONCERT OF THE MUSES IN THE IDEAL CITY: INVESTIGATIONS ON THE ICONOGRAPHIC PROGRAM OF THE TEMPIETTO OF THE PALAZZO DUCALE OF URBINO WITH A VIRTUAL RECONSTRUCTION HYPOTHESIS).
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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| 650 |
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|a Music
|x History and criticism.
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| 650 |
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|a Art and music.
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| 650 |
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6 |
|a Musique
|x Histoire et critique.
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| 650 |
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6 |
|a Art et musique.
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| 650 |
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7 |
|a MUSIC
|x General.
|2 bisacsh
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| 650 |
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7 |
|a Art and music.
|2 fast
|0 (OCoLC)fst00815413
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| 650 |
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7 |
|a Music.
|2 fast
|0 (OCoLC)fst01030269
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 700 |
1 |
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|a Marković, Tatjana.
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| 776 |
0 |
8 |
|i Print version:
|a Baldassarre, Antonio.
|t Music Cultures in Sounds, Words and Images. : Essays in honor of Zdravko Blažeković.
|d Wien : Hollitzer Wissenschaftsverlag, ©2018
|z 9783990124512
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| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv6jm9wd
|z Texto completo
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| 880 |
8 |
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|6 505-01/$1
|a ZHANG BOYU民族 乐学 中的 乐美学 (Music Aesthetics from the Ethnomusicological Perspectives); INGRID PUSTIJANAC; WESTERN ART MUSIC BEYOND THE WEST; PERFORMANCE OF MUSICAL CULTURES; ALLAN W. ATLAS; LADIES AND THE CONCERTINA IN VICTORIAN ENGLAND: SOME NOTES ON MANUFACTURERS' MARKETING STRATEGIES; GABRIELE BUSCH-SALMEN; "EW. HOCHFÜRSTL. DURCHLAUCHT HABEN ... SELBST EINE HOHE STUFE DER AUSÜBENDEN KUNST ERSTIEGEN" -- VERSUCH ÜBER KOMPONIERENDE FÜRSTINNEN (Your High Princely Highness have ... Herself Climbed to a High Level of the Performing Arts); TINA FRÜHAUF.
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| 938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL5336374
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| 994 |
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|a 92
|b IZTAP
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