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From film practice to data process : production aesthetics and representational practices of a film industry in transition /
With an in-depth case study of Sally Potter's 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Atkinson, Sarah, |d 1975- |e author. | |
| 245 | 1 | 0 | |a From film practice to data process : |b production aesthetics and representational practices of a film industry in transition / |c Sarah Atkinson. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2018] | |
| 300 | |a 1 online resource (xiv, 274 pages) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 230-253), filmography (pages 225-229) , and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (JSTOR platform, viewed November 21, 2019). | |
| 520 | |a With an in-depth case study of Sally Potter's 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change. | ||
| 520 | 8 | |a To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter's 2012 film 'Ginger & Rosa', and drawing upon interviews with international film industry practitioners, 'From Film Practice to Data Process' is a groundbreaking examination of film production in its totality, in a moment of profound change. | |
| 505 | 0 | 0 | |t Digital film production studies -- |t Digital film production people -- |t Digital film production time -- |t Digital film production space -- |t Digital film production representations -- |t Digital film production preservation and access. |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 630 | 0 | 0 | |a Ginger and Rosa (Motion picture) |
| 650 | 0 | |a Motion picture industry |x Technological innovations. | |
| 650 | 0 | |a Motion pictures |x Production and direction |x Data processing. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Digital media |x Influence. | |
| 650 | 0 | |a Motion picture industry |x Technological innovations |z Great Britain. | |
| 650 | 0 | |a Motion pictures |x Production and direction |z Great Britain |x Data processing. | |
| 650 | 0 | |a Digital cinematography |z Great Britain. | |
| 650 | 0 | |a Digital media |z Great Britain |x Influence. | |
| 650 | 6 | |a Cinéma |x Industrie |x Innovations. | |
| 650 | 6 | |a Cinéma |x Production et réalisation |x Informatique. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Médias numériques |x Influence. | |
| 650 | 6 | |a Cinéma |x Industrie |x Innovations |z Grande-Bretagne. | |
| 650 | 6 | |a Cinéma |x Production et réalisation |z Grande-Bretagne |x Informatique. | |
| 650 | 6 | |a Cinéma numérique |z Grande-Bretagne. | |
| 650 | 6 | |a Médias numériques |z Grande-Bretagne |x Influence. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a HISTORY |z Middle East |x General. |2 bisacsh | |
| 650 | 7 | |a Digital cinematography |2 fast | |
| 650 | 7 | |a Motion picture industry |x Technological innovations |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 651 | 7 | |a Great Britain |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Atkinson, Sarah, 1975- |t From film practice to data process. |d Edinburgh : Edinburgh University Press, [2018] |z 9780748693580 |w (OCoLC)1019659057 |
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