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|a Female authorship and the documentary image :
|b theory, practice and aesthetics /
|c edited by Boel Ulfsdotter and Anna Backman Rogers.
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264 |
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1 |
|a Edinburgh :
|b Edinburgh University Press,
|c [2018]
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300 |
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|a 1 online resource (xv, 223 pages) :
|b illustrations
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336 |
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|a text
|b txt
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|a Includes bibliographical references and index.
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0 |
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|t Women in the director's chair : the female gaze in documentary film /
|r Lisa French --
|t New Day Films : collective aesthetics and the collection /
|r Elizabeth Coffman and Erica Stein --
|t More than one /
|r Sharon Daniel --
|t The final projects of Hannah Wilke and Jo Spence : a dialogue between Elena Crippa and Anna Backman Rogers --
|t The feminist voice : improvisation in women's autobiographical filmmaking /
|r Gabrielle Mcnally --
|t Speaking about or speaking nearby? documentary practice and female authorship in the films of Kim Longinotto /
|r Rona Murray --
|t A politics of nearness : uses of montage and haptics in documenting cultural experiences of communities of India /
|r Aparna Sharma --
|t The other, the same : towards a metamodern poetics with Heddy Honigmann /
|r Annelies van Noortwijk --
|t The memories of Belleville Baby : autofiction as evidence /
|r Boel Ulfsdotter --
|t To::For::By::About::With::From:: Towards solid women : on (not) being addressed by Tracey Moffatt's Moodeijt Yorgas /
|r Sophie Mayer --
|t Constructing an intimate sphere through her own female body : Naomi Kawase's documentary films /
|r Wakae Nakane --
|t Celebrity/activist/photographer : Mia Farrow /
|r Catherine Summerhayes --
|t Being a woman documentary maker in Taiwan : an interview with Singing Chen and Wuna Wu /
|r Chris Berry.
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|a Addressing the politics of representation and authorship both behind and in front of the camera, a range of international scholars explore the pressing issues in relation to female authorship in contemporary documentary practices.
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|a Online resource; title from PDF title page (JSTOR, viewed on November 27, 2018).
|
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
|
0 |
|a Women motion picture producers and directors.
|
650 |
|
0 |
|a Documentary films.
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650 |
|
0 |
|a Feminism and motion pictures.
|
650 |
|
6 |
|a Productrices et réalisatrices de cinéma.
|
650 |
|
6 |
|a Féminisme et cinéma.
|
650 |
|
6 |
|a Documentaires.
|
650 |
|
7 |
|a filmmakers.
|2 aat
|
650 |
|
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a LITERARY CRITICISM
|x Feminist.
|2 bisacsh
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650 |
|
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|a Feminism and motion pictures
|2 fast
|
650 |
|
7 |
|a Documentary films
|2 fast
|
650 |
|
7 |
|a Women motion picture producers and directors
|2 fast
|
650 |
|
7 |
|a Dokumentarfilm
|2 gnd
|
650 |
|
7 |
|a Frauenfilm
|2 gnd
|
650 |
|
7 |
|a Performing Arts.
|2 ukslc
|
700 |
1 |
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|a Ulfsdotter, Boel,
|e editor.
|
700 |
1 |
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|a Backman Rogers, Anna,
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Female authorship and the documentary image.
|d [Edinburgh] : Edinburgh University Press, [2018]
|z 9781474419444
|w (OCoLC)992432795
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1tqxt8w
|z Texto completo
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