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|a Female agency and documentary strategies :
|b subjectivities, identity and activism /
|c edited by Boel Ulfsdotter and Anna Backman Rogers.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2018]
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|c ©2018
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|a 1 online resource (xiv, 207 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references and index.
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|t The pencil of identity : Instagram as inadvertent (female) autobiography /
|r Kris Fallon --
|t Archetype and authenticity : reflections on Amalia Ulman's Excellences and perfections /
|r Cadence Kinsey --
|t Blogging the female self : authorship, self-performance and identity politics in fashion blogs /
|r Monica Titton --
|t 'Scriptrix narrans' : digital documentary storytelling's radical potential /
|r Gail Vanstone --
|t Hybrid practices and voice making in contemporary female documentary film /
|r Kim Munro --
|t Record keeping : family memories on film : Rea Tajiri's History and memory : For Akiko and Takashig and Wisdom gone wild /
|r Kerreen Ely-Harper --
|t Not because my heart is gone, simply the other side : Francesca Woodman's relational and ephemeral subjectivity at the limit of the image /
|r Anna Backman Rogers --
|t Other women : thinking class and gender in contemporary Brazilian documentary film /
|r Carla Maia --
|t Visualising our voices : Hong Kong scholar and film director Vivian Wenli Lin, in conversation with /
|r Boel Ulfsdotter --
|t From visceral style to discourse of resistance : reading Alka Sadat's Afghan documentaries on violence against women /
|r Anna Misiak --
|t Documenting Georgia in transition : the films of Salome Jashi and Nino Kirtadze /
|r John A. Riley --
|t Profession : documentarist : underground documentary making in Iran /
|r Lidia Meras --
|t Reflecting through images : the documentaries of Mercedes Alvarez /
|r Linda Ehrlich.
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|a Female Agency and Documentary Strategies centres on how self-portraiture and contemporary documentary manifestations such as blogging and the prevalent usage of social media shape and inform female subjectivities and claims to truth.
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|a Print version record.
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
|5 WlAbNL
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|a JSTOR
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Women motion picture producers and directors.
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650 |
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|a Documentary films.
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|a Feminism and motion pictures.
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|a Women in motion pictures.
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|a Productrices et réalisatrices de cinéma.
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|a Féminisme et cinéma.
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|a Femmes au cinéma.
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|a filmmakers.
|2 aat
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|a PERFORMING ARTS
|x Reference.
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|a LITERARY CRITICISM
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|x English, Irish, Scottish, Welsh.
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|a Backman Rogers, Anna,
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|i Print version:
|t Female agency and documentary strategies.
|d Edinburgh : Edinburgh University Press, [2018]
|z 9781474419475
|w (OCoLC)1016963856
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