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Poetry's touch : on lyric address /

"To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say you to a human being: to the reader,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Waters, William (William Addison)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 2003.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Waters, William  |q (William Addison) 
245 1 0 |a Poetry's touch :  |b on lyric address /  |c William Waters. 
264 1 |a Ithaca, N.Y. :  |b Cornell University Press,  |c 2003. 
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504 |a Includes bibliographical references ([p. 165]-177) and index. 
505 0 |a Introduction -- Poems addressing contemporaries -- Address as greeting, address as spell -- The continuance of poems: monument and mouth -- Hand-writing and readerly intimacy. 
520 1 |a "To whom does a poem speak? Do poems really communicate with those they address? Is reading poems like overhearing? Like intimate conversation? Like performing a script? William Waters pursues these questions by closely reading a selection of poems that say you to a human being: to the reader, to the beloved, or to the dead. In any account of reading lyric poetry, Waters argues, there will be places where the participant roles of speaker, intended hearer, and bystander melt together or away; these are moments of wonder." "Looking both at poetry's you and at how readers encounter it, Waters asserts that poetic address shows literature pressing for a close relation with those into whose hands it may fall. What is at stake for us as readers and critics is our ability to acknowledge the claims made on us by the works of art with which we engage. In second-person poems, in a poem's touch, we may come to see why poetry matters to us, and how we, in turn, come to feel answerable to it." "Poetry's Touch takes as a central thread the poetry of Rainer Maria Rilke, a writer whose work is unusually self-conscious about poetic address. The book also draws examples from a gamut of European and American poems, ranging from archaic Greek inscriptions to Keats, Dickinson, and Ashbery."--Jacket 
588 0 |a Print version record. 
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650 0 |a Lyric poetry  |x History and criticism. 
650 0 |a Point of view (Literature) 
650 6 |a Poésie lyrique  |x Histoire et critique. 
650 6 |a Point de vue (Littérature) 
650 7 |a BIOGRAPHY & AUTOBIOGRAPHY  |x Literary.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 7 |a Lyric poetry  |2 fast 
650 7 |a Point of view (Literature)  |2 fast 
650 7 |a Lyrik  |2 gnd 
650 7 |a Leser  |2 gnd 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Waters, William (William Addison).  |t Poetry's touch.  |d Ithaca, N.Y. : Cornell University Press, 2003  |z 080144120X  |w (DLC) 2003005639  |w (OCoLC)51848367 
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