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Proletarian imagination : self, modernity, and the sacred in Russia, 1910-1925 /

In fin-de-siècle and early revolutionary Russia, a group of self-educated workers produced a large body of poetry and prose in which they attempted to comprehend their rapidly changing world. Witnesses to wars and revolution, these men and women grappled on paper with the nature of civilization and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Steinberg, Mark D., 1953-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca : Cornell University Press, 2002.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Steinberg, Mark D.,  |d 1953- 
245 1 0 |a Proletarian imagination :  |b self, modernity, and the sacred in Russia, 1910-1925 /  |c Mark D. Steinberg. 
264 1 |a Ithaca :  |b Cornell University Press,  |c 2002. 
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504 |a Includes bibliographical references (pages 313-325) and index. 
505 0 |a Cultural revolution: the making of a plebeian intelligentsia -- Knowledges of self -- The proletarian "I" -- The moral landscape of the modern city -- Revolutionary modernity and its discontents -- Feelings of the sacred -- Sacred vision in the revolution. 
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520 |a In fin-de-siècle and early revolutionary Russia, a group of self-educated workers produced a large body of poetry and prose in which they attempted to comprehend their rapidly changing world. Witnesses to wars and revolution, these men and women grappled on paper with the nature of civilization and the imperatives of ethical truth. In a strikingly original approach to Russian culture, Mark D. Steinberg listens to their words, which are little known today. The results of their literary creativity, he finds, were frequently not what the new Soviet order was expecting from its workers, despite its celebration of the notion of a proletarian art. Through insightful readings of a vast fund of lower-class writings, Steinberg shows that the authors focused above all on the uncertain nature and place of the self, the promise and dangers of modernity, and the qualities of the sacred in both their lives and their imaginations. Like their counterparts in the intelligentsia, these worker writers were ambivalent about Marxist ideology's celebration of the city and the factory and even about modern progress itself. Drawing on vast research, Steinberg demonstrates the texts' significance for an understanding of Russian popular mentalities, indeed for the very meaning, philosophically and morally, of these years of crisis and possibility at the end of the old order and the early years of the Soviet regime. 
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650 0 |a Working class writings, Russian  |x History and criticism. 
650 0 |a Self in literature. 
650 0 |a Holy, The, in literature. 
650 0 |a Working class authors  |z Soviet Union. 
650 0 |a Working class authors  |z Russia. 
650 0 |a Working class  |z Soviet Union  |x Intellectual life. 
650 0 |a Working class  |z Russia  |x Intellectual life. 
650 6 |a Littérature russe  |y 20e siècle  |x Histoire et critique. 
650 6 |a Moi (Psychologie) dans la littérature. 
650 6 |a Sacré dans la littérature. 
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650 6 |a Écrivains ouvriers  |z Russie. 
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650 6 |a Travailleurs  |z Russie  |x Vie intellectuelle. 
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650 7 |a Working class writings, Russian  |2 fast 
651 7 |a Russia  |2 fast 
651 7 |a Soviet Union  |2 fast 
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650 7 |a Russisch  |2 gnd 
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648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Steinberg, Mark D., 1953-  |t Proletarian imagination.  |d Ithaca : Cornell University Press, 2002  |z 080144005X  |w (DLC) 2002003313  |w (OCoLC)49284077 
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