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Portraits in the Andes : photography and agency, 1900-1950 /
Portraits in the Andes examines Indigenous and mestizo self-representation through the medium of photography from the early to mid twentieth century. As Jorge Coronado reveals, these images offer a powerful counterpoint to the often-slanted, predominant view of Indigenismo produced by the intellectu...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Pittsburgh, Pa. :
University of Pittsburgh Press,
[2018]
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| Colección: | Illuminations (Pittsburgh, Pa.)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Coronado, Jorge, |e author. | |
| 245 | 1 | 0 | |a Portraits in the Andes : |b photography and agency, 1900-1950 / |c Jorge Coronado. |
| 264 | 1 | |a Pittsburgh, Pa. : |b University of Pittsburgh Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xii, 232 pages) : |b illustrations, portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Illuminations: cultural formations of the Americas series | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Practice : photography in the Southern Andes, 1900-1950 -- Photographs and lettered culture : visual and literary practices in Latin America and the Andes -- Portrait -- Consumption -- Agency -- The archive dispersed. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed May 24, 2018). | |
| 520 | |a Portraits in the Andes examines Indigenous and mestizo self-representation through the medium of photography from the early to mid twentieth century. As Jorge Coronado reveals, these images offer a powerful counterpoint to the often-slanted, predominant view of Indigenismo produced by the intellectual elite. Photography offered an inexpensive and readily available technology for producing portraits and other images that allowed lower- and middle-class racialized subjects to create their own distinct rhetoric and vision of their culture. The powerful identity-marking vehicle that photography provided to the masses has been overlooked in much of Latin American cultural studies--which have focused primarily on the elite's visual arts. Coronado's study offers close readings of Andean photographic archives from the early- to mid-twentieth century, to show the development of a consumer culture and the agency of marginalized groups in creating a visual document of their personal interpretations of modernity. | ||
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| 650 | 6 | |a Portraits (Photographie) |z Andes |x Histoire. | |
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| 650 | 7 | |a HISTORY |z Latin America |z South America. |2 bisacsh | |
| 650 | 7 | |a HISTORY |x General. |2 bisacsh | |
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