Cargando…

Sublime surrender : male masochism at the fin-de-siècle /

When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. S...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stewart-Steinberg, Suzanne
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, N.Y. : Cornell University Press, 1998.
Colección:Cornell studies in the history of psychiatry.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1037272728
003 OCoLC
005 20231005004200.0
006 m o d
007 cr cnu---unuuu
008 180524s1998 nyua ob 001 0 eng d
010 |z  98015731  
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d OCLCO  |d YDX  |d OCLCE  |d OCLCF  |d JSTOR  |d AGLDB  |d IGB  |d TXC  |d AUW  |d BTN  |d MHW  |d INTCL  |d SNK  |d G3B  |d LVT  |d S8I  |d S8J  |d STF  |d D6H  |d UKAHL  |d OCLCO  |d OCLCQ  |d OCLCA  |d P@U  |d OCLCA  |d MM9  |d RDF  |d OCLCQ  |d OCLCO  |d OCLCQ  |d INARC  |d OCLCO 
019 |a 760221784  |a 1080549797  |a 1392035011 
020 |a 9781501717741  |q (electronic bk.) 
020 |a 150171774X  |q (electronic bk.) 
020 |z 0801434343 
020 |z 9780801434341 
020 |z 0801484502 
020 |z 9780801484506 
029 1 |a GBVCP  |b 1048970272 
035 |a (OCoLC)1037272728  |z (OCoLC)760221784  |z (OCoLC)1080549797  |z (OCoLC)1392035011 
037 |a 22573/ctv1krqsn  |b JSTOR 
050 4 |a HQ79  |b S823 1998eb 
060 4 |a 1998 I-242 
060 4 |a WM 610  |b S851s 1998 
072 7 |a POL  |x 038000  |2 bisacsh 
072 7 |a SOC  |x 002010  |2 bisacsh 
072 7 |a SOC  |x 022000  |2 bisacsh 
072 7 |a SOC  |x 018000  |2 bisacsh 
072 7 |a PSY  |x 015000  |2 bisacsh 
072 7 |a LIT  |x 006000  |2 bisacsh 
082 0 4 |a 306.77/6  |2 22 
084 |a 17.93  |2 bcl 
049 |a UAMI 
100 1 |a Stewart-Steinberg, Suzanne. 
245 1 0 |a Sublime surrender :  |b male masochism at the fin-de-siècle /  |c Suzanne R. Stewart. 
264 1 |a Ithaca, N.Y. :  |b Cornell University Press,  |c 1998. 
300 |a 1 online resource (x, 224 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a data file 
490 1 |a Cornell studies in the history of psychiatry 
500 |a Various drafts of chapters were read by members of the German Studies Reading Group and by participants in the German Studies Colloquium. 
504 |a Includes bibliographical references (pages 195-220) and index. 
505 0 |a 1. "A familiar smile of fascination": Masochism, Sublimation, and the Cruelty of Love -- 2. When Men Can No Longer Paint: Acts of Seeing in Leopold von Sacher-Masoch's Venus in Furs -- 3. The Theft of the Operatic Voice: Masochistic Seduction in Wagner's Parsifal -- 4. Saving Love: Is Sigmund Freud's Leader a Man? -- 5. The Rhetoric of Powerlessness. 
588 0 |a Print version record. 
520 |a When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering. Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-siècle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice." 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Masochism. 
650 0 |a Sexual dominance and submission. 
650 0 |a Masochism in literature. 
650 0 |a Sex in opera. 
650 1 2 |a Masochism 
650 2 2 |a Dominance-Subordination 
650 2 2 |a Sexual Behavior 
650 6 |a Masochisme. 
650 6 |a Domination et soumission (Sexualité) 
650 6 |a Masochisme dans la littérature. 
650 6 |a Sexualité à l'opéra. 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Men's Studies.  |2 bisacsh 
650 7 |a Masochism  |2 fast 
650 7 |a Masochism in literature  |2 fast 
650 7 |a Sex in opera  |2 fast 
650 7 |a Sexual dominance and submission  |2 fast 
650 1 7 |a Letterkunde.  |2 gtt 
650 1 7 |a Masochisme.  |2 gtt 
650 1 7 |a Mannen.  |2 gtt 
650 1 7 |a Fin de siècle.  |2 gtt 
776 0 8 |i Print version:  |a Stewart-Steinberg, Suzanne.  |t Sublime surrender.  |d Ithaca, N.Y. : Cornell University Press, 1998  |z 0801434343  |w (DLC) 98015731  |w (OCoLC)38738953 
830 0 |a Cornell studies in the history of psychiatry. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.7591/j.ctv1nhnd9  |z Texto completo 
938 |a Askews and Holts Library Services  |b ASKH  |n AH34643656 
938 |a EBSCOhost  |b EBSC  |n 1814686 
938 |a Project MUSE  |b MUSE  |n muse69297 
938 |a YBP Library Services  |b YANK  |n 15443466 
938 |a Internet Archive  |b INAR  |n sublimesurrender0000stew 
994 |a 92  |b IZTAP