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070306s2007 mau ob 001 0 eng d |
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|a INARC
|b eng
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|d JSTOR
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|a 1107321998
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|a 9780674033597
|q (electronic bk.)
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|a 0674033590
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|z (OCoLC)1107321998
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|a 22573/ctv2d71vnq
|b JSTOR
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|a e-gx---
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|a ML275.5
|b .P35 2007
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|a MUS
|x 020000
|2 bisacsh
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|a HIS
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|a 780.943/09041
|2 22
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|a UAMI
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|a Painter, Karen.
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|a Symphonic aspirations :
|b German music and politics, 1900-1945 /
|c Karen Painter.
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|a Cambridge, Mass. :
|b Harvard University Press,
|c 2007.
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|a 1 online resource (vi, 354 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Includes bibliographical references (pages 271-342) and index.
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|a Tradition in a modern age : Bruckner and Mahler at the fin de siècle -- Symphonic idealism in crisis -- Symphonic conventions of a world past -- Sensuality and redemption -- The politics of tradition : Mahler and Bruckner, 1914-1933 -- Mahler's progressive legacy and the aestheticization of violence -- Bruckner's nationalist legacy and the aestheticization of space -- Symphonic traditions under National socialism -- Symphonic ambitions and Hindemith's Mathis der Mahler symphony -- Symphonic defeat.
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|a "Can music be political? Germans have long claimed the symphony as a pillar of their modern national culture. By 1900, the critical discourse on music, particularly symphonies, rose to such prominence as to command front-page news. With the embrace of the Great War, the humiliation of defeat, and the ensuing economic turmoil, music evolved from the most abstract to the most political of the arts. Even Goebbels saw the symphony as a tool of propaganda. More than composers or musicians, critics were responsible for this politicization of music, aspiring to change how music was heard and understood. Once hailed as a source of individual heroism, the symphony came to serve a communal vision." "Karen Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of serious music. Her analysis draws on a vast collection of writings on the symphony, particularly those of Mahler and Bruckner, to offer compelling evidence that music can and did serve ideological ends. She traces changes in critical discourse that reflected but also contributed to the historical conditions of the fin de siecle, World War I, and the Nazi regime."--Jacket.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Music
|z Germany
|y 20th century
|x History and criticism.
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|a National socialism and music.
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|a Music
|x Political aspects
|z Germany
|x History
|y 20th century.
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|a Nazisme et musique.
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|a Musique
|x Aspect politique
|z Allemagne
|x Histoire
|y 20e siècle.
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650 |
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|a MUSIC / History & Criticism
|2 bisacsh
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|a Music.
|2 fast
|0 (OCoLC)fst01030269
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|a Music
|x Political aspects.
|2 fast
|0 (OCoLC)fst01030414
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|a National socialism and music.
|2 fast
|0 (OCoLC)fst01033799
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|a Germany.
|2 fast
|0 (OCoLC)fst01210272
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a Painter, Karen.
|t Symphonic aspirations.
|d Cambridge, Mass. : Harvard University Press, 2007
|w (DLC) 2007009599
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2d7x4k6
|z Texto completo
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|a Internet Archive
|b INAR
|n symphonicaspirat00pain
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|a EBSCOhost
|b EBSC
|n 2181352
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|a 92
|b IZTAP
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