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Affect, animals, and autists : feeling around the edges of the human in performance /

"When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Carlson, Marla (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ann Arbor : University of Michigan Press, [2018]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Carlson, Marla,  |e author. 
245 1 0 |a Affect, animals, and autists :  |b feeling around the edges of the human in performance /  |c Marla Carlson. 
264 1 |a Ann Arbor :  |b University of Michigan Press,  |c [2018] 
300 |a 1 online resource 
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520 |a "When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human. Affect, Animals, and Autists maps connections across performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges. By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record. 
505 0 |a Intro; Contents; Preface and Acknowledgments; Chapter 1. Locating the Human in Performance; Chapter 2. Performing as Animals; Chapter 3. Performing as Autists; Chapter 4. Performing with Animals; Chapter 5. Performing with Autists; Chapter 6. Mimetic Mixing and Technologies for Becoming; Notes; Bibliography; Index. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
650 0 |a Autistic people in the performing arts. 
650 0 |a Affect (Psychology) in the performing arts. 
650 0 |a Animals in the performing arts. 
650 6 |a Autistes dans les arts du spectacle. 
650 6 |a Animaux dans les arts du spectacle. 
650 7 |a PERFORMING ARTS / General.  |2 bisacsh 
650 7 |a PSYCHOLOGY / Psychopathology / Autism Spectrum Disorders.  |2 bisacsh 
650 7 |a Autistic people in the performing arts.  |2 fast  |0 (OCoLC)fst02002554 
650 7 |a Affect (Psychology) in the performing arts.  |2 fast  |0 (OCoLC)fst02002546 
650 7 |a Animals in the performing arts.  |2 fast  |0 (OCoLC)fst00809593 
650 7 |a Tiere  |2 gnd 
650 7 |a Mensch  |2 gnd 
650 7 |a Autismus  |2 gnd 
650 7 |a Performance  |g Künste  |2 gnd 
655 4 |a Electronic books. 
776 0 8 |i Print version:  |t Affect, animals, and autists  |d Ann Arbor : University of Michigan Press, [2018]  |z 9780472053827  |w (DLC) 2018004680 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.3998/mpub.9209652  |z Texto completo 
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