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The borders of Europe : hegemony, aesthetics and border poetics /

Just like national identities, European identity may be viewed as an imagined community, constituted by different levels of inclusion and exclusion along various border markers as those between included and excluded, between culturally dominating and dominated or between centre and periphery, native...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Holm, Helge Vidar, 1947-, Laegreid, Sissel, 1952-, Skorgen, Torgeir
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Aarhus : Aarhus University Press, [2012]
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The borders of Europe :  |b hegemony, aesthetics and border poetics /  |c Helge Vidar Holm, Sissel Laegreid, Torgeir Skorgen (eds.). 
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505 0 |a Cover; Title Page; Colophon; Content; Introduction: The Notion of Europe, its Origins and Imaginaries; Helge Vidar Holm, Sissel Lægreid & Torgeir Skorgen; Bibliography; First section: Aesthetic Hegemonies and Conceptions of Centre and Periphery in Europe; Hegemonic Ideals: Turkish Architecture of the 20th Century; Siri Skjold Lexau; Politics and architecture; Ottoman-European architecture as the façade of modernity; The First National Style; Windows to the West and international (state) modernism; Neo-Ottoman brutalism: The Second National Style; Bibliography. 
505 8 |a Region and Frontier in the English State: Co. Meath and the English Pale, 1460-1542Steven G. Ellis; Bibliography; Russian History and European Ideas: The Historical Vision of Vasilii Kliuchevskii; Kåre Johan Mjør; Progress and Retardation; The Russian People and the Russian Land; The Rise and Decline of Russian Nationhood; Restoring the Balance; Russia, Europe and Kliuchevskii; Bibliography; Excluding the West: Nataliia Naroch nitskaia's Romantic-Realistic Image of Europe; Jardar Østbø; Introduction: the Romantic Realist Hegemony; Nataliia Naroch nitskaia -- a Child of the Cold War. 
505 8 |a Naroch nitskaia's WeltanschauungThe Religious Dimension: A Moral View of History; The Geopolitical Dimension: "The Eastern Question"; The Historiographic Dimension: Ahistorical Historiography; Conclusion: Impossible Invitation; Bibliography; The Text-Catena in the Frescoes in the Sanctuary of S. Maria Antiqua in Rome (705-707 A.D.): An Index of Cultural Cross-Over in 7th-8th century Rome?; Per Olav Folgerø; Preamble; The frescoes of Joh n VII in the church of S. Maria Antiqua; The Constantinopolitan Thesis. 
505 8 |a The Palestinian Connection. Palestinian influence on the Old Testament text-catena on the Triumphal Arch: A HypothesisAn ambiguity explored; Table according to S. Janeras; The eschatological level: Cyril's 15th Catechesis; Triumphal arch, lower zone: "The Resurrection of the Dead"?; Rome as a melting pot of cultural migration; Bibliography; A Metaphorical View on Cultural Dialogues: Struve's Meridian Arc and Reflections on Memories in Eastern and Northern Borderlands; Knut Ove Arntzen; Bibliography; Multiple Dimensions and Multiple Borderlines: Cultural Work and Borderline Experience. 
505 8 |a Gordana VnukBibliography; Second section: Constructions of National, Regional and Artistic Identity in Literature and Art; The Colonizer and the Colonized: On the Orientalized Caucasus as Alter and Alternative Ego in Russian Classical Literature; Lillian Jorunn Helle; Bibliography; Time and Causality in Flaubert's Novels Salammbô and Bouvard et Pécuchet; Helge Vidar Holm; Bibliography; Mozart's Opera The Abduction from the Seraglio and Bakhtin's Border Poetics; Torgeir Skorgen; Bibliography; The Female Body, Landscape and National Identity; Sigrun Åsebø 
520 |a Just like national identities, European identity may be viewed as an imagined community, constituted by different levels of inclusion and exclusion along various border markers as those between included and excluded, between culturally dominating and dominated or between centre and periphery, natives and exiled. This book written by junior and senior researchers within the field of art and architecture, theatrical performance, literature and history, is an important contribution to the ongoing discussion of the borders of Europe, especially where large-scale cultural borders towards the East are concerned. It offers an interdisciplinary perspective on the notion of Europe and its regions, its origins and transformations, highlighting the aesthetics of hegemony and conceptions of centre and periphery in Europe, constructions of national, regional and artistic identity and the aesthetics and poetics of borders in literature and art. Through its perspective on the imaginaries of cultural bordering and historical memory it complements ongoing work in the social sciences, especially regarding the Eastern borders of Europe. 
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