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Shakespearean intersections : language, contexts, critical keywords /
Providing innovative and interdisciplinary perspectives on Shakespeare's plays, Patricia Parker offers a series of dazzling readings that demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between lang...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia :
University of Pennsylvania Press,
[2018]
|
| Colección: | Haney Foundation series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Parker, Patricia A., |d 1946- |e author. | |
| 245 | 1 | 0 | |a Shakespearean intersections : |b language, contexts, critical keywords / |c Patricia Parker. |
| 264 | 1 | |a Philadelphia : |b University of Pennsylvania Press, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed May 16, 2018). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Contents; List of Illustrations; Introduction; Chapter 1. Preposterous Reversals, Latter Ends: Language and Contexts in Love's Labor's Lost; Chapter 2. Mastering Bianca, Preposterous Constructions, and Wanton Supposes: The Taming of the Shrew; Chapter 3. Multilingual Quinces and A Midsummer Night's Dream: Visual Contexts, Carpenters' Coigns, Athenian Weddings; Chapter 4. ""No Sinister Nor No Awkward Claim"": Theatrical Contexts and Preposterous Recalls in Henry V; Chapter 5. What's in a Name? Brabant and the Global Contexts of Othello; Chapter 6. Intimations of Ganymede in Cymbeline. | |
| 505 | 8 | |a NotesIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Acknowledgments. | |
| 520 | |a Providing innovative and interdisciplinary perspectives on Shakespeare's plays, Patricia Parker offers a series of dazzling readings that demonstrate how easy-to-overlook textual or semantic details reverberate within and beyond the Shakespearean text, and suggest that the boundary between language and context is an incontinent divide. | ||
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| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Language. |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Literary style. |
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| 650 | 0 | |a English language |y Early modern, 1500-1700 |x Style. | |
| 650 | 0 | |a English language |y Early modern, 1500-1700 |x Semantics. | |
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