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|a 1058717775
|a 1097141217
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|a 9781469640716
|q (electronic bk.)
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|a 1469640716
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|z 9781469640693
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|q alk. paper)
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|a PS169.A95
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|a LIT
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|a UAMI
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|a Wong, Hertha Dawn,
|e author.
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|a Picturing Identity :
|b Contemporary American Autobiography in Image and Text /
|c Hertha D. Sweet Wong.
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|a Chapel Hill :
|b The University of North Carolina Press,
|c [2018]
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|a 1 online resource
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|a text
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|a online resource
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|a Includes bibliographical references and index.
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|a Peter Najarian's illustrated memoirs: "'the terror of our history' and a love that may redeem it" -- Leslie Marmon Silko's photo-narratives: "a story connected with every place, every object in the landscape" -- Art Spiegelman's graphic memoir, Maus: "one is left with what remains, the ruins that are sifted over endlessly" -- Julie Chen's artists' books: "the constant search for meaning in the chattering of time" -- Theresa Hak Kyung Cha's dicte: "a series of metaphors for the return" -- Carrie Mae Weems's photo-(auto)biographies: "work that is essential to our cultural dialogue" -- Faith Ringgold's story quilts: "all things American in America are about race" -- Hachivi Edgar Heap of Birds's artwork: "native peoples have chosen art as their cultural tool and weapon."
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|a Print version record.
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|a In this text, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Group identity
|z United States.
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|a Autobiography in art.
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|a Autobiography in literature.
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|a Autobiography.
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650 |
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|a American literature
|x History and criticism.
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650 |
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|a Identité collective
|z États-Unis.
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650 |
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|a Autobiographie dans l'art.
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|a Autobiographie dans la littérature.
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|a Autobiographie.
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|a autobiography (genre)
|2 aat
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a ART
|x Criticism & Theory.
|2 bisacsh
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650 |
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|a American literature.
|2 fast
|0 (OCoLC)fst00807113
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650 |
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|a Autobiography.
|2 fast
|0 (OCoLC)fst00822597
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650 |
|
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|a Autobiography in art.
|2 fast
|0 (OCoLC)fst01930830
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650 |
|
7 |
|a Autobiography in literature.
|2 fast
|0 (OCoLC)fst00822620
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650 |
|
7 |
|a Group identity.
|2 fast
|0 (OCoLC)fst00948442
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651 |
|
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
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|i Print version:
|a Wong, Hertha Dawn.
|t Picturing Identity.
|d Chapel Hill : The University of North Carolina Press, [2018]
|w (DLC) 2017054461
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.5149/9781469640723_wong
|z Texto completo
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