(Post)colonial histories : trauma, memory and reconciliation in the context of the Angolan civil war /
The documentary My heart of Darkness (Sweden 2011) tells the story of a South-African paratrooper returning to Angola: Facing former enemies, he tries to regain mental health and reconciliation. The film marks the stepping-stone for this volume: The contr.
Clasificación: | Libro Electrónico |
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Autores principales: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Bielefeld :
Transcript Verlag,
[2017]
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Colección: | Postcolonial studies ;
Bd. 26. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Contents
- Black and White Dogs â#x80;#x93; Conceptual Encounters
- Angola
- â#x80;#x9C;They said we have to forgive each otherâ#x80;#x9D;: Memory, â#x80;#x98;Transitional Justiceâ#x80;#x99;, and (Post)colonialism in the Context of the International Screenings of the Documentary My Heart of Darkness
- The Ethics of Memory in My Heart of Darkness
- Memory, Contradictions and Resignification of Colonial Imagery in My Heart of Darkness
- Performing History. My Heart of Darkness from a Dramatist Perspective
- The Role of Music in Memorial Production and Discourse in My Heart of Darkness
- Â#x80;#x9C;I donâ#x80;#x99;t trust in picturesâ#x80;#x9D;. Forms for Authentication in My Heart of Darkness and Annekatrin Hendelâ#x80;#x99;s VaterlandsverrÃÞterMemory, Trauma and Empathy. On the (Un)representability of the Civil War in Art
- Miss Landmine in Angola. Negotiating the Political Aesthetics of the Mutilated Body