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|a 1032358536
|a 1032661546
|a 1080549348
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|a 9781868146987
|q (electronic bk.)
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|a 1868146987
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|a (OCoLC)1032588851
|z (OCoLC)1032358536
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|b C66 2008
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|a 781.5/990968
|2 22
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|a UAMI
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|a Composing apartheid :
|b music for and against apartheid /
|c edited by Grant Olwage.
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|a Johannesburg :
|b Wits University Press,
|c 2008.
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|a 1 online resource
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|a text
|b txt
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|a Composing Apartheid is the first book ever to chart the musical world of a notorious period in world history, apartheid South Africa. It explores how music was produced through, and was productive of, key features of apartheid's social and political topography, as well as how music and musicians contested and even helped to conquer apartheid. The collection of essays is intentionally broad, and the contributors include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists. The essays focus on a variety of music (jazz, music in the Western art tradition, popular music) and on major composers (such as Kevin Volans) and works (Handel's Messiah). Musical institutions and previously little-researched performers (such as the African National Congress's troupe-in-exile, Amandla) are explored. The writers move well beyond their subject matter, intervening in debates on race, historiography, and postcolonial epistemologies and pedagogies.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Music
|x Political aspects
|z South Africa.
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650 |
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|a Musique
|x Aspect politique
|z Afrique du Sud.
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|a MUSIC
|x General.
|2 bisacsh
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|a Music
|x Political aspects
|2 fast
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|a South Africa
|2 fast
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|a Olwage, Grant,
|e editor.
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|i Print version:
|z 9781868144563
|z 1868144569
|w (DLC) 2008564335
|w (OCoLC)223369029
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856 |
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|u https://jstor.uam.elogim.com/stable/10.18772/22008064563
|z Texto completo
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|a Askews and Holts Library Services
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