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|a Law and the visual :
|b representations, technologies, and critique /
|c edited by Desmond Manderson.
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|a Toronto :
|b University of Toronto Press,
|c [2018]
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|c ©2018
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|a 1 online resource (376 pages)
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|a Cover; Copyright; Contents; Introduction: Imaginal Law; Part One: Representations -- The Origins of Legal Modernity from the Sixteenth to the Nineteenth Centuries; 1: Blindness Visible: Law, Time, and Bruegel's Justice; 2: Faces and Frames of Government; 3: An Emblematic Representation of Law: Hogarth and the Engravers' Act; 4: Law and the Revolutionary Motif after Jacques-Louis David; 5: Legal Imagery on the Edge of Symbolism: The Decoration Projects for the Belgian Cour de Cassation; 6: The Visual Force of Justice in the Making of Liberia.
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|a Part Two: Technologies -- Excesses of Legal Modernity in the Twentieth Century7: "You Will See My Family Became So American": Race, Citizenship, and the Visual Archive; 8: From Sentimentality to Sadism: Visual Genres of Asylum Seeking; 9: Images of Victims: The ECCC and the Cambodian Genocide Museum; 10: The Exceptional Image: Torture Photographs from Guantánamo Bay and Abu Ghraib as Foucault's Spectacle of Punishment; Part Three: Critique -- Irony and Legal Modernity in the Twenty-First Century; 11: T-Shirt's Guevara: The Visual Jurisprudence of the New Man.
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|a 12: The Art of Bureaucracy: Redacted Ready-mades13: Illicit Interventions in Public Non-Spaces: Unlicensed Images; 14: What Authorizes the Image? The Visual Economy of Post-Secular Jurisprudence; Contributors; Index.
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|a In Law and the Visual, leading legal theorists, art historians, and critics come together to present new work examining the intersection between legal and visual discourses.
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|a In English.
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|a Includes bibliographical references and index.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Law and art
|x History.
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650 |
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|a Droit et art
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|a LAW / General.
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|a Law and art.
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|a History.
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|0 (OCoLC)fst01411628
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700 |
1 |
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|a Manderson, Desmond,
|e editor.
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776 |
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|i Print version:
|a Manderson, Desmond.
|t Law and the Visual : Representations, Technologies, and Critique.
|d Toronto : University of Toronto Press, ©2018
|z 9781442630314
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830 |
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