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Creative union : the professional organization of Soviet composers, 1939-1953 /
"Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answ...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ithaca, N.Y. :
Cornell University Press,
2006.
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| Colección: | Cornell scholarship online.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tomoff, Kiril. | |
| 245 | 1 | 0 | |a Creative union : |b the professional organization of Soviet composers, 1939-1953 / |c Kiril Tomoff. |
| 260 | |a Ithaca, N.Y. : |b Cornell University Press, |c 2006. | ||
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Cornell scholarship online | |
| 504 | |a Includes bibliographical references (pages 305-311) and index. | ||
| 505 | 0 | |a The formation of the Composers' Union, 1932-41 -- Administering the creative process -- Composers on the march, 1941-45 -- Zhdanovshchina and the Ogolevets affair -- Brouhaha! : party intervention and professional consolidation, 1948 -- Anticosmopolitanism and the music profession, 1949-53 -- The results of party intervention -- Muzfond, royalties, and popularity -- Elite hierarchies -- "Most respected comrade -- " : informal networks in the Stalinist music world. | |
| 520 | 1 | |a "Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. | |
| 520 | 8 | |a Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket. | |
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
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| 610 | 2 | 0 | |a Soi͡uz kompozitorov SSSR |x History. |
| 610 | 2 | 4 | |a Soiuz kompozitorov SSSR. |
| 610 | 2 | 7 | |a Soi͡uz kompozitorov SSSR |2 fast |
| 610 | 2 | 7 | |a Sojuz Kompozitorov SSSR |2 gnd |
| 600 | 1 | 7 | |a Goria, A. |2 gnd |
| 610 | 2 | 7 | |a Sovetskaja Associacija Meždunarodnogo Prava |2 gnd |
| 650 | 0 | |a Music and state |z Soviet Union. | |
| 650 | 0 | |a Musicians |x Labor unions |z Soviet Union. | |
| 650 | 0 | |a Music |z Soviet Union |x History and criticism. | |
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| 650 | 6 | |a Musiciens |x Syndicats |z URSS. | |
| 650 | 6 | |a Musique |z URSS |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music and state |2 fast | |
| 650 | 7 | |a Musicians |x Labor unions |2 fast | |
| 651 | 7 | |a Soviet Union |2 fast | |
| 650 | 7 | |a Berufsverband |2 gnd | |
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| 651 | 7 | |a Sovjet-Unie. |2 gtt |0 (NL-LeOCL)078670128 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 080144411X |z 9780801444111 |w (DLC) 2006001749 |w (OCoLC)63122834 |
| 830 | 0 | |a Cornell scholarship online. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7591/j.ctt22727w0 |z Texto completo |
| 880 | |6 500-00/(2/r |a נושא ישן: Composers - Soviet Union - history and criticism. | ||
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