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180420s2006 enka ob s000 0 eng d |
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|a 791.43/34
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|a UAMI
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|a Animated 'worlds' /
|c edited by Suzanne Buchan ; associate editors, David Surman, Paul Ward.
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|a Eastleigh, U.K. :
|b J. Libbey Pub.,
|c ©2006.
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|a Bloomington, IN :
|b Distributed in North America by Indiana University Press
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|a 1 online resource (xiii, 207 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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|a Includes bibliographical references.
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|a Introduction / Suzanne Buchan -- The joyous reception: animated worlds and the romantic imagination / Rachel Kearney -- The animated spectator: watching the Quay Brothers' 'worlds' / Suzanne Buchan -- The strings of the marionette / Richard Weihe -- Gesturing toward Olympia / Heather Crow -- Literary Len: Trade Tattoo and Len Lye's link with the literary avant-garde / Miriam Harris -- Literary theory, animation and the 'subjective correlative': defining the narrative 'world' in Brit-lit animation / Paul Wells -- Animated fathers: representations of masculinity in The Simpsons and King of the hill / Suzanne Williams-Rautiola -- Animated interactions: animated aesthetics and the world of the 'interactive' documentary / Paul Ward -- New media worlds / Thomas Lamarre -- Style, consistancy and plausibility in the Fable gameworld / David Surman -- Final fantasies: computer graphic animation and the [dis]illusion of life / Vivian Sobchack -- An unrecognized treasure chest: the internet as animation archive / Karin Wehn.
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|a "Animated Worlds is an edited compilation of the papers presented at the 'Animated 'Worlds'' conference held in 2003 at Farnham Castle, UK. What do we mean by the term 'animation' when we are discussing film? Is it a technique? - A style? - A way of seeing or experiencing 'a world' that has little relation to our own lived experience of 'the world'? The Animated 'Worlds' anthology presents a selection of topics from the 2003 Animated 'Worlds' conference held in England. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory and digital aesthetics that reveal the astonishing variety of 'worlds' animation confronts us with."--PUBLISHER
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|a Print version record.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Animated films
|x History and criticism.
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|a Animated television programs
|x History and criticism.
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|a Animation (Cinematography)
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|a Animation (Cinéma)
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|a animations (visual works)
|2 aat
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|a animation (process)
|2 aat
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|a PERFORMING ARTS
|x Animation.
|2 bisacsh
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|a Animated films
|2 fast
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|a Animated television programs
|2 fast
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|a Animation (Cinematography)
|2 fast
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|a Animationsfilm
|2 gnd
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|a Farnham <2003>
|2 swd
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|a Criticism, interpretation, etc.
|2 fast
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|a Buchan, Suzanne.
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|a Surman, David.
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|a Ward, Paul,
|d 1968-
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|i Print version:
|t Animated 'worlds'.
|d Eastleigh, U.K. : J. Libbey Pub., ©2006
|z 0861966619
|w (DLC) 2007405669
|w (OCoLC)85540399
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt22p7j2j
|z Texto completo
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