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|a UAMI
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|a McCarthy, Anne C.,
|e author.
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|a Awful parenthesis :
|b suspension and the sublime in romantic and Victorian poetry /
|c Anne C. McCarthy.
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|a Toronto :
|b University of Toronto Press,
|c [2018]
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|c ©2018
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|a 1 online resource (x, 218 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (EBSCO, viewed April 20, 2018).
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|a Cover; Copyright; Contents; Abbreviations; Acknowledgments; Introduction: Approaching Suspension; 1 Coleridge, Suspension, and the Sublime; 2 Semblances of Truth in "Christabel" and Aids to Reflection; 3 Ecstatic Suspension in Shelley's "Universe of Things"; 4 Tennyson and the Rhetoric of Suspended Animation; 5 Christina Rossetti's Poetic Faith; Conclusion: Over, Again; Notes; Bibliography; Index.
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|a Examining various aesthetics of suspension in the works of nineteenth-century poets such as Coleridge, Shelley, Tennyson, and Christina Rossetti, Anne C. McCarthy shares important insights into the cultural fascination with the sublime.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a English poetry
|y 19th century
|x History and criticism.
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|a Sublime, The, in literature.
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|a Poésie anglaise
|y 19e siècle
|x Histoire et critique.
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|a Sublime dans la littérature.
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|a POETRY
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a English poetry
|2 fast
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|a Sublime, The, in literature
|2 fast
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|i Print version:
|a McCarthy, Anne C.
|t Awful parenthesis.
|d Toronto : University of Toronto Press, [2018]
|z 1487502915
|z 9781487502911
|w (OCoLC)1004047931
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/j.ctt22rbk47
|z Texto completo
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