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Staging revolution : artistry and aesthetics in model beijing opera during the cultural revolution /
Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing again...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
[2018]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fan, Xing |c (Professor of Asian Theatre and Performance Studies), |e author. | |
| 245 | 1 | 0 | |a Staging revolution : |b artistry and aesthetics in model beijing opera during the cultural revolution / |c Xing Fan. |
| 264 | 1 | |a Hong Kong : |b Hong Kong University Press, |c [2018] | |
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| 505 | 0 | |a Intro; Contents; Illustrations; Tables; Acknowledgments; Overture; Part I. Jingju, Modern Jingju, and Model Jingju; 1. Jingju at Yan'an; 2. Jingju during the Xiqu Reform; 3. Modern Jingju in Years of Uncertainty; 4. Model Jingju as Pinnacle of Cultural Reconstruction; Part II. Inside Model Jingju; 5. Foundation of Productions: Scripts and Playwriting; 6. The Broken and the Breakthroughs in Acting; 7. Fresh yet Familiar: Music; 8. Visual Communication through Design; Plates 8.1-8.4; 9. Mounting a Production: Directing; Coda; Bibliography; Index. | |
| 520 | |a Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the in. | ||
| 504 | |a Includes bibliographical references (pages 259-271) and index. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Operas, Chinese |y 20th century |x History and criticism. | |
| 650 | 0 | |a Operas, Chinese |x Political aspects. | |
| 651 | 0 | |a China |x History |y Cultural Revolution, 1966-1976. | |
| 650 | 6 | |a Opéras chinois |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Opéras chinois |x Aspect politique. | |
| 651 | 6 | |a Chine |x Histoire |y 1966-1976 (Révolution culturelle) | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Operas, Chinese |2 fast | |
| 650 | 7 | |a Operas, Chinese |x Political aspects |2 fast | |
| 651 | 7 | |a China |2 fast | |
| 647 | 7 | |a Cultural Revolution |c (China : |d 1966-1976) |2 fast |0 (OCoLC)fst01352662 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Fan, Xing (Professor of Asian Theatre and Performance Studies). |t Staging revolution. |d Hong Kong : Hong Kong University Press, [2018] |z 9789888455812 |w (OCoLC)1028974833 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt22p7jf7 |z Texto completo |
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