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Guerrilla networks : an anarchaeology of 1970s radical media ecologies /

The radical youth movements of the 1960s and '70s gave rise to both militant political groups -ranging from urban guerrilla groups to autonomist counterculture- and radical media, including radio, music, film, video, and television. This book is concerned with both of those tendencies considere...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Goddard, Michael, 1965- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2018]
Colección:Recursions: theories of media, materiality, and cultural techniques
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Table of Contents; List of Illustrations; Fig. 1: Che Guevara, the face of guerrilla subjectivation.; Fig. 2: Ulrike Meinhof at the offices of Konkret.; Fig. 3: Mini-Manual of the Urban Guerrilla and The Urban Guerrilla Concept.; Fig. 4: Baader Meinhof wanted poster.; Figs 5 and 6: The Weather Underground Media Ecology: Prairie Fire and Osawatomie.; Fig. 7: Weather Underground members in Underground (1975).; Fig. 8: The Sex Pistols on the Bill Grundy Show from The Filth and the Fury (Temple, 2000).; Fig. 9: The Clash, 'London Calling' official music video (1979).
  • Fig. 10: Joe Strummer in Red Brigades T-Shirt from Rude Boy (1980). Fig. 11: Radio Alice as presented in A/Traverso.; Fig. 12: The Radio Alice Media Ecology at Work.; Fig. 13: Godard's Le gai savoir (1969); Fig. 14: The audiovision machine of History Lessons.; Fig. 15: Alberto Grifi editing Anna (1975).; Fig. 16: Fassbinder and Armin Meier in Germany in Autumn (1978).; Fig. 17: Archival footage in Germany in Autumn (1978).; Fig. 18: Richard Nixon in Millhouse (1971).; Fig. 19: 'This Barrier is a metaphor for the war in Vietnam': The Weather Underground in Underground (1976).
  • Fig. 20: Ici et Ailleurs (1974), video mixing Golda Meir and Adolf Hitler. Fig. 21: Ici et Ailleurs (1974), alternative modes of editing.; Fig. 22: Video superimposition in Six Fois Deux (1976).; Fig. 23: Fassbinder's World on a Wire (1973).; Fig. 24: Ant Farm's Media Burn (1975).; Fig. 25: Guerrilla Television manual.; Acknowledgements; Introduction; 1. Media (An)archaeology, Ecologies, and Minor Knowledges; Introduction: The Long 1970s; Concepts of Media Archaeology, Anarcheology and Media Ecologies; Radical and Guerrilla Media
  • Popular Cultures, Minor Subjugated Knowledges and Expressive Machines2. Armed Guerrilla Media Ecologies from Latin America to Europe; Introduction: Contra 'Mass Mediated Terrorism'; Revolution in the Revolution: The Urban Guerrilla Concept from Latin America to Europe and North America; Brigate Rosse and Armed Struggle in Italy; The 'Baader Meinhof Complex' and the June 2nd Movement; Weather Variations: Weatherman, the Weather Underground, and the Symbionese Liberation Army; 3. Autonomy Movements, the Nexus of 1977, and Free Radio; Introduction: Radical Politics, Bifurcations, and the Event
  • Italian Workerism and Autonomia1977 as Nexus: The Movement of 1977, Creative Autonomia, and Punk; Rebellious Radio from Marconi to Free Radios; Media beyond 'Socialist Strategy': Enzensberger, Baudrillard, and the Genealogy of Radio Alice; The Media Ecology of Radio Alice; 4. Militant Anti-Cinemas, Minor Cinemas and the Anarchive Film; Introduction: Destroying the (Cinema) Apparatus, Transforming the (Audiovisual) Machine; Militant Anti-Cinemas in the 1970s; Minor Anti-Cinemas: Anti Psychiatric, Heretical, Feminist, and Postcolonial