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Candyman /
"When Candyman was released in 1992, Roger Ebert gave it his thumbs up, remarking that the film was "scaring him with ideas and gore, rather than just gore." Indeed, Candyman is almost unique in 1990s horror cinema in that it tackles its sociopolitical themes head on. As critic Kirste...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leighton Buzzard :
Auteur,
2018.
|
| Colección: | Devil's advocates.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Towlson, Jon, |d 1967- |e author. | |
| 245 | 1 | 0 | |a Candyman / |c Jon Towlson. |
| 264 | 1 | |a Leighton Buzzard : |b Auteur, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (133 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Devil's advocates | |
| 504 | |a Includes bibliographical references. | ||
| 520 | |a "When Candyman was released in 1992, Roger Ebert gave it his thumbs up, remarking that the film was "scaring him with ideas and gore, rather than just gore." Indeed, Candyman is almost unique in 1990s horror cinema in that it tackles its sociopolitical themes head on. As critic Kirsten Moana Thompson has remarked, Candyman is "the return of the repressed as national allegory": the film's hook-handed killer of urban legend embodies a history of racism, miscegenation, lynching, and slavery, "the taboo secrets of America's past and present." | ||
| 545 | 0 | |a Jon Towlson is the author of The Turn to Gruesomeness in American Horror Films, 1931-1936 (2016); Close Encounters of the Third Kind (Auteur, 2016); and the Rondo Hatton Classic Horror Award-nominated Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present (2014). | |
| 588 | 0 | |a Print version record. | |
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| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 630 | 0 | 0 | |a Candyman (Motion picture : 1992) |
| 600 | 1 | 0 | |a Rose, Bernard, |d 1961- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Barker, Clive, |d 1952- |x Film adaptations. |
| 600 | 1 | 7 | |a Barker, Clive, |d 1952- |2 fast |
| 650 | 0 | |a Horror films |x History and criticism. | |
| 650 | 0 | |a Motion picture producers and directors |z United States. | |
| 650 | 6 | |a Films d'horreur |x Histoire et critique. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Horror films |2 fast | |
| 650 | 7 | |a Motion picture producers and directors |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Film adaptations |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Towlson, Jon, 1967- |t Candyman. |d Leighton Buzzard : Auteur Publishing, 2018 |z 191132554X |w (OCoLC)1004760428 |
| 830 | 0 | |a Devil's advocates. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13840m4 |z Texto completo |
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