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|a UAMI
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|a Wimmers, Inge Crosman,
|d 1940-
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|a Metaphoric narration :
|b the structure and function of metaphors in A la recherche du temps perdu /
|c by Inge Karalus Crosman.
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|a Chapel Hill :
|b U.N.C. Dept. of Romance Languages :
|b [Distributed by the University of North Carolina Press],
|c 1978.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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|a data file
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 204
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|a Cover; METAPHORIC NARRATION: THE STRUCTURE AND FUNCTION OF METAPHORS IN A LA RECHERCHE DU TEMPS PERDU; Title; Copyright; Dedication; ACKNOWLEDGEMENTS; CONTENTS; INTRODUCTION; Chapter I. THE SINGLE METAPHOR; Chapter II. THE BRIEF CONCEIT; A. Same Parts of Speech Establishing the Semantic Domain; B. Verb-Subject-Object Reinforcements; C. Specific Functions of the Conceit as Conceptual Model; 1. Conceit Clarifying References to Time; 2. Conceit Clarifying a Descriptive Tableau; Chapter III. THE CONTINUED METAPHOR; A. Aphoristic Conceit Extended for Illustration.
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|a B. Extensions Clarifying the Semantic DomainC. Metaphorical Tableau; D. Continued Metaphors within a Symbolic Context; E. Continued Metaphors within a Context Associating Similar Temporal Experiences; Chapter IV. METAPHORICAL EXPANSION AND MULTIPLE SETS OF METAPHORS; A. Metaphorical Expansion; B. Cumulative Series of Metaphors; 1. Clarifying Function of Additional Transposition; 2. Syntactical Integration of Additional Metaphors; 3. Juxtaposition of Antithetical Images; 4. Juxtaposition of Different Images; Chapter V. ACCUMULATED METAPHORS; A. Simple Structures.
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|a 1. Accumulated Metaphors from the Same Semantic Domain2. Accumulated Metaphors from Different Semantic Domains; B. Complex Structures; 1. Extension to an Additional Accumulation; 2. Juxtaposition of Two Syntactically Dependent Groups; 3. Combined Accumulations; C. Multiple Structures; Chapter VI. METAPHORICAL EXTENSIONS TO SYMBOLIC TABLEAU; A. Synaesthetic Metaphors Symbolic of Mental Contiguity; B. Metaphors Animating Abstractions; 1. Duration; 2. The ""Self.; C. Metaphorical Extensions within the Symbolic Portrayal of the Novel's Characters; 1. Dehumanization.
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|a 2. Characters Functioning as Symbolic FiguresD. Symbolic Implications of an ""Actual"" Scene or Event; E. Symbolic Descriptions of Art; Chapter VII. METAPHORS AND SIMILES IN THE SAME TEMPORAL CONTEXT; A. Single Simile within Metaphorical Passages; 1. Simile Enhancing a Single Aspect of the Metaphorical Image; 2. Simile Playing an Essential Role; a. Brief Simile Specifying the Code of the Metaphorical Transposition; b. Simile Extending to a Descriptive Tableau; c. Simile Introducing a Separate Image; 3. Borderline Cases between Simile and Metaphor; a. Etre comme; b. Comme; c. Comme si.
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|a B. Multiple Similes within Metaphorical Passages1. Multiple Similes from the Same Domain; 2. Multiple Similes from Different Domains; CONCLUSION; BIBLIOGRAPHY; Back Cover.
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|a Includes bibliographical references (pages 219-230).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
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|a digitized
|c 2011
|h HathiTrust Digital Library
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Proust, Marcel,
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|a LITERARY CRITICISM
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830 |
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|a North Carolina studies in the Romance languages and literatures ;
|v no. 204.
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.5149/9781469642888_crosman
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