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|a UAMI
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|a The Global Road Movie :
|b alternative journeys around the world.
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|a Bristol :
|b Intellect Books Ltd,
|c 2018.
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|a 1 online resource (276 pages)
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|a text
|b txt
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|a Cover; Half Title; Title; Copyright; Contents; Acknowledgements; Introduction: From American Roads to Global Highways; Section 1: The Americas; Chapter 1: Learning to Drive: Midcentury Guidance Films and the Middle-of-the-Road Politics of the American Road Movie; Chapter 2: The Colombian Road Movie: Uses and Abuses of a Film Genre; Chapter 3: Notes on a Journey from Guantánamo to Havana: Guantanamera Revisited as Winds of Change Hit US-Cuba Relations; Section 2: Africa; Chapter 4: Departing from Anti-Colonialism, Arriving at Afropolitanism: Africa United as an African Road Movie.
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|a Chapter 5: The Road and Transatlantic Currents in the Cinema of LicÃƯnio AzevedoSection 3: Asia and Australia; Chapter 6: The Palestinian Road(block) Movie: Interrupted Journeys in Elia Suleimanâ#x80;#x99;s Divine Intervention; Chapter 7: Song of the Big Road: Negotiating Scale in the Road Films of Twenty-First-Century India; Chapter 8: Provincializing the Road Movie: Realism, Epic and Mobility in Ritwik Ghatakâ#x80;#x99;s Ajantrik; Chapter 9: Navigating Gender, Ethnicity and Space: Five Golden Flowers as a Socialist Road Movie; Chapter 10: Genre at a Crossroads: The Korean Road Movie.
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|a Chapter 11: Wrong Side of the Road: Crossing Cultures, Traversing Forms and the Blackfella Road MovieSection 4: Europe; Chapter 12: Et in Arcadia Ego: Precarious Romanticism and the English Road Movie; Chapter 13: Bumps on the â#x80;#x98;Road to Europeâ#x80;#x99;: Remaking the Road Movie and Re-mapping the Nation in Post-2004 Central Europe; Chapter 14: The Road Movie in Portuguese Cinema; Notes on Editors; Notes on Contributors; Index; Back Cover.
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|a Includes bibliographical references and index.
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|a The road movie is one of the most tried and true genres, a staple since the earliest days of cinema. This book looks at the road movie from a wider perspective than ever before, exploring the motif of travel not just in American films - where it has been most prominent - but via movies from other nations as well. Gathering contributions from around the world, the book shows how the road movie, altered and refracted in every new international iteration, offers a new way of thinking about the ever-shifting sense of place and space in the globalized world. Through analyses of such films as Guantanamera (Cuba), Wrong Side of the Road (Australia), Five Golden Flowers (China), Africa United (South Africa) and Sightseers (England), The Global Road Movie enables us to think afresh about how today's road movies fit into the history of the genre, and what they can tell us about how people move about in the world today.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Road films
|x History and criticism.
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|a Road movies
|x Histoire et critique.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Road films.
|2 fast
|0 (OCoLC)fst01098432
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|a SOCIAL SCIENCE / Media Studies
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Duarte, José.
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|a Corrigan, Timothy.
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|i Print version:
|a Duarte, José.
|t Global Road Movie : Alternative Journeys Around the World.
|d Bristol : Intellect Books Ltd, ©2018
|z 9781783208777
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvwjr
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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|a ProQuest Ebook Central
|b EBLB
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