Black riders : the visible language of modernism /

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"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design,...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McGann, Jerome J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, ©1993.
Colección:Book collections on Project MUSE.
Temas:
Morris, William, > 1834-1896 > Influence.
Morris, William, > 1834-1896.
1900-1999
English poetry > 20th century > History and criticism.
Modernism (Literature) > English-speaking countries.
American poetry > 20th century > History and criticism.
Visual poetry > History and criticism.
Book design > English-speaking countries.
Art and literature > English-speaking countries.
Printing > English-speaking countries.
Poésie anglaise > 20e siècle > Histoire et critique.
Modernisme (Littérature) > Anglophonie.
Poésie américaine > 20e siècle > Histoire et critique.
Poésie visuelle > Histoire et critique.
Livres > Conception graphique > Anglophonie.
Art et littérature > Anglophonie.
LITERARY CRITICISM / American / General
American poetry.
Art and literature.
Book design.
English poetry.
Influence (Literary, artistic, etc.)
Modernism (Literature)
Printing.
Visual poetry.
Visuelle Poesie
Typografie
Lyrik
Englisch
Buchgestaltung
Dichtkunst.
Modernisme (cultuur)
Typografie.
Boekkunst.
Engels.
Amerikaans.
Modernisme (art) > États-Unis.
English-speaking countries.
USA.
Englisch.
English poetry
United States
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: Modernism and the Renaissance of Printing, with Particular Reference to the Writing of Yeats, Stein, and Dickinson
  • pt. 1. A Revolution of the Word. 1. "Thing to Mind": The Materialist Aesthetic of William Morris. 2. Composition as Explanation (of Modern and Postmodern Poetries)
  • pt. 2. Dichtung und Wahrheit. 3. The Truth of Poetry. An Argument. 4. The Poetry of Truth. A Dialogue (on Dialogue).

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