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A spy in the house of loud : New York songs and stories /
"Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it. In A Spy in the House of Loud, he tak...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Documento de Gobierno Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2018.
|
| Colección: | American music series (Austin, Tex.)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stamey, Chris, |e author. | |
| 245 | 1 | 2 | |a A spy in the house of loud : |b New York songs and stories / |c Chris Stamey. |
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2018. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a American music series | |
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Preface: The Story behind the Painting; 1. Donâ#x80;#x99;t Stop to Think; 2. I Love the Sound of the Traffic; 3. In Our Wildest Dreams; 4. Have You Seen the Last Elite?; Jukebox: Just Tryinâ#x80;#x99; to Tell a Vision; 5. The More You Learn, the Less You Know; 6. Pavement Slapping My Feet; 7. Eyes Submerge Your Face; 8. Caress and Spite; 9. I Loved You, and You Did, Too; 10. Exhilaration; or, Gorging a Neuronic Aperture; 11. Just Like Yesterday; Just Like Yesterday; 13. Cut It Hot, Cut It Up, Cut It Clean, Cut It Slow; Jukebox: The More You Look, the More You See. | |
| 505 | 8 | |a Jukebox: Weâ#x80;#x99;ve Got Your Sonsâ#x80;#x99; Blood on Our Hands14. Your Ballerina Curls; 15. She Took the Soda Pop; 16. Wine in Plastic Cups; 17. The Distance That Surrounds Us; Jukebox: Donâ#x80;#x99;t Push Me, â#x80;#x99;Cause Iâ#x80;#x99;m Close to the Edge; 18. The Air Is Full of Air; 19. Like a Party Balloon on the Strand; Jukebox: Calling Out, in Transit; 20. Never a Time; Never a Time; 21. Anyone Who Had to Laugh; 22. The Whole Worldâ#x80;#x99;s Dirt; 23. Newspapers Collect on the Street; 24. I Want to Break Your Heart; 25. All Around You Now the Stars Are Falling Down; Afterword; Acknowledgments; Appendix: A Listenerâ#x80;#x99;s Guide. | |
| 520 | |a "Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it. In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery's CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB's and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people's music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist's coming-of-age in New York's frontier abandon as he searches for new ways to break the rules and make some noise."--Provided by publisher. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Stamey, Chris. |
| 610 | 2 | 0 | |a DB's (Musical group) |
| 600 | 1 | 7 | |a Stamey, Chris. |2 fast |0 (OCoLC)fst00290467 |
| 650 | 0 | |a Rock musicians |z New York (State) |z New York |v Biography. | |
| 650 | 6 | |a Musiciens rock |z New York (État) |z New York |v Biographies. | |
| 650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY |x Composers & Musicians. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a MUSIC / Genres & Styles / Rock |2 bisacsh | |
| 650 | 7 | |a Rock musicians. |2 fast |0 (OCoLC)fst01099238 | |
| 651 | 7 | |a New York (State) |z New York. |2 fast |0 (OCoLC)fst01204333 | |
| 655 | 7 | |a Biographies. |2 fast |0 (OCoLC)fst01919896 | |
| 776 | 0 | 8 | |i Print version: |a Stamey, Chris. |t Spy in the house of loud. |d Austin : University of Texas Press, 2018 |z 9781477316221 |w (DLC) 2017055297 |w (OCoLC)1007087985 |
| 830 | 0 | |a American music series (Austin, Tex.) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/316221 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38419304 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5317816 | ||
| 938 | |a EBSCOhost |b EBSC |n 1727918 | ||
| 938 | |a YBP Library Services |b YANK |n 15211063 | ||
| 994 | |a 92 |b IZTAP | ||