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|a Neo-passing :
|b performing identity after Jim Crow /
|c edited by Mollie Godfrey and Vershawn Ashanti Young ; foreword by Gayle Wald ; afterword by Michele Elam.
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|a Urbana :
|b University of Illinois Press,
|c [2018]
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|a "This volume seeks to theorize and explore the concept of "neo-passing," or the proliferation of passing in the post-Jim Crow moment. Why--in our "color-blind" or "post-racial" moment--is passing still of such literary and cultural interest? To answer this question, chapters in this book focus on a range of passing practices, performances and texts that are part of the emerging genre of what we call neo-passing narratives. Neo-passing narratives are contemporary narratives that depict someone being taken for an identity other than what s/he is considered really to be. That these texts are written, constructed, or produced at a time when passing should have passed reveals that the questions passing raises--questions about how identity is performed and contested in relation to social norms--are just as relevant now as they were at the turn of the twentieth century"--
|c Provided by publisher.
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|a Includes bibliographical references and index.
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|a Description based on print version record.
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|a Introduction : The Neo-Passing Narrative -- Appendix to the Introduction. Neo-Passing Narratives : Teaching and Scholarly Resources -- New Histories. Introduction : Passing at the Turn of the Twenty-First Century ; Why Passing Is (Still) Not Passé after More Than 250 Years : Sources from the Past and Present ; Passing for Postracial : Colorblind Reading Practices of Zombies, Sheriffs, and Slaveholders ; Adam Mansbach's Postracial Imaginary in Angry Black White Boy ; Black President Bush : The Racial and Gender Politics behind Dave Chappelle's Presidential Drag ; Seeing Race in Comics : Passing, Witness, and the Spectacle of Racial Violence in Johnson and Pleece's Incognegro -- New Identities. Introduction : Passing at the Intersections ; Passing Truths : Identity-Immersion Journalism and the Experience of Authenticity ; Passing for Tan : Snooki and the Grotesque Reality of Ethnicity ; The Pass of Least Resistance : Sexual Orientation and Race in ZZ Packer's "Drinking Coffee Elsewhere" ; Neo-Passing and Dissociative Identities as Affective Strategies in Frankie and Alice ; "A New Type of Human Being" : Gender, Sexuality, and Ethnicity as Perpetual Passing in Jeffrey Eugenides's Middlesex -- Afterword : Why Neo Now?.
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|a JSTOR
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Passing (Identity) in literature.
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|a African Americans
|x Race identity.
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|a Race awareness
|z United States.
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|a African Americans in literature.
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|a Race in literature.
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|a Passing (Identité) dans la littérature.
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|a Noirs américains
|x Identité ethnique.
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|a Conscience de race
|z États-Unis.
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|a Noirs américains dans la littérature.
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|a Race dans la littérature.
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|a SOCIAL SCIENCE / Ethnic Studies / African American Studies.
|2 bisacsh
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|a LITERARY CRITICISM / American / African American.
|2 bisacsh
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|a African Americans in literature.
|2 fast
|0 (OCoLC)fst00799727
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|a African Americans
|x Race identity.
|2 fast
|0 (OCoLC)fst00799666
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650 |
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|a Passing (Identity) in literature.
|2 fast
|0 (OCoLC)fst01054419
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650 |
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|a Race awareness.
|2 fast
|0 (OCoLC)fst01086455
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|a Race in literature.
|2 fast
|0 (OCoLC)fst01086506
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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700 |
1 |
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|a Godfrey, Mollie,
|d 1979-
|e editor.
|4 http://id.loc.gov/vocabulary/relators/edt
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700 |
1 |
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|a Young, Vershawn Ashanti,
|e editor.
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|a Wald, Gayle,
|d 1965-
|e writer of foreword.
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|a Elam, Michele,
|e writer of afterword.
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|i Print version:
|t Neo-passing
|d Urbana : University of Illinois Press, [2018]
|z 9780252041587 (hardcover : acid-free paper)
|w (DLC) 2017057076
|
856 |
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|u https://jstor.uam.elogim.com/stable/10.5406/j.ctt21c4tm7
|z Texto completo
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|a Oxford University Press USA
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