The voice of technology : Soviet cinema's transition to sound, 1928-1935 /

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As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kaganovsky, Lilya (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2018]
Temas:
Sound motion pictures > Soviet Union > History.
Motion pictures > Soviet Union.
Motion picture industry > Soviet Union.
Motion pictures > Political aspects > Soviet Union.
Films sonores > URSS > Histoire.
Cinéma > URSS.
Cinéma > Industrie > URSS.
Cinéma > Aspect politique > URSS.
PERFORMING ARTS > Reference.
Motion picture industry
Motion pictures
Motion pictures > Political aspects
Sound motion pictures
Soviet Union
Electronic books.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; THE VOICE OF TECHNOLOGY; Title; Copyright; Dedication; CONTENTS; Acknowledgments; Note on Translation and Transliteration; Prologue; Introduction: The Long Transition: Soviet Cinema and the Coming of Sound; one The Voice of Technology and the End of Soviet Silent Film: Grigori Kozintsev and Leonid Traubergâ#x80;#x99;s Alone; two The Materiality of Sound: Dziga Vertovâ#x80;#x99;s Enthusiasm and Esfir Shubâ#x80;#x99;s K. Sh. E.; three The Homogeneous Thinking Subject, or Soviet Cinema Learns to Sing: Igor Savchenkoâ#x80;#x99;s The Accordion.
  • Four Multilingualism and Heteroglossia in Aleksandr Dovzhenkoâ#x80;#x99;s Ivan and Aerogradfive â#x80;#x9C;Les Silences de la voixâ#x80;#x9D;: Dziga Vertovâ#x80;#x99;s Three Songs of Lenin; Conclusion: Socialist Realist Sound; Works Cited; Index.

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