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Experimental encounters in music and beyond /
"Experimental encounters in music and beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven (Belgium) :
Leuven University Press,
[2017]
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| Colección: | Orpheus Institute series.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Intro; Faces, Spaces, and Traces; A Prelude to Experimental Encounters; Kathleen Coessens; Part One; Contrasting Faces; Kathleen Coessens; Down With the Experiment!; Long Live the Process!; or, Dance Doesnâ#x80;#x99;t Exist; Efva Lilja; The Art of Risk Taking; Experimentation, Invention, and Discovery; Chaya Czernowin; Part Two:; Challenging Material Spaces; Kathleen Coessens; Thingification of Compositional Process; The Emergence and Autonomy of Extramusical Objects in Western Art Music; Svetlana MaraÅ¡; Roll Over Czerny; Frederik Croene; Austerity Measures and Rich Rewards.
- David Gorton and Christopher RedgateCooperation and Collaboration between Interpreter and Composer in Electroacoustic Music; Sebastian Berweck; Trans-form; Sketches, Experiments, and Concepts in Artistic Creation; Jan C. Schacher; Part Three; Experimental Dialogues with Traces; Kathleen Coessens; Rational Spaces; The String Quartets of Ben Johnston as Experimental Process; Bob Gilmore; The Need for Artistic Experimentation When Preparing Organum Duplum for Performance; Léonin and Pérotin and Twelfth- and Thirteenth-Century Polyphony from Lâ#x80;#x99;Ecole de Notre Dame; Penelope Turner.
- Â#x80;#x9C;Associationâ#x80;#x9D;A Way of Artistic Experimentation That Can Expand Interpretation Possibilities; Valentin Gloor; Part Four; Negotiating Experimental(ly) Spaces and Faces; Kathleen Coessens; From Experimentation to Construction; Richard Barrett; Exper-iment, Exper-ience, Exper-tise; Practice-as-Research in Jazz Performance; Steve Tromans; Improvisation as Experimentation in Everyday Life and Beyond; Anne Douglas; Kathleen Coessens; Composition as Improvisation/Improvisation as Composition; David Horne and Melinda Maxwell; The Kunstorchester Kwaggawerk Project.
- An Original Cultural Education ProgrammeReto Stadelmann; An Afterthought to Experimental Encounters; Kathleen Coessens.