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Worldmaking : race, performance, and the work of creativity /
In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchant...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2018.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Kondo, Dorinne K., |e author. | |
| 245 | 1 | 0 | |a Worldmaking : |b race, performance, and the work of creativity / |c Dorinne Kondo. |
| 246 | 3 | |a World making | |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xiv, 359 pages, 8 pages of color plates) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Theoretical scaffolding, formal architecture -- Racialized economies -- (En)acting theory -- The drama behind the drama -- Revising race -- Playwriting as reparative creativity -- Seamless, a full-length play. | |
| 520 | |a In this bold, innovative work, Dorinne Kondo theorizes the racialized structures of inequality that pervade theater and the arts. Grounded in twenty years of fieldwork as dramaturg and playwright, Kondo mobilizes critical race studies, affect theory, psychoanalysis, and dramatic writing to trenchantly analyze theater's work of creativity as theory: acting, writing, dramaturgy. Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life. Upending genre through scholarly interpretation, vivid vignettes, and Kondo's original play, Worldmaking journeys from an initial romance with theater that is shattered by encounters with racism, toward what Kondo calls reparative creativity in the work of minoritarian artists Anna Deavere Smith, David Henry Hwang, and the author herself. Worldmaking performs the potential for the arts to remake worlds, from theater worlds to psychic worlds to worldmaking visions for social transformation. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2019. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2019. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 7 | |a Hwang, David Henry |d 1957- |2 gnd |
| 650 | 0 | |a Asian American theater |x Social aspects. | |
| 650 | 0 | |a Theater and society |z United States. | |
| 650 | 0 | |a Racism and the arts |z United States. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) |x Social aspects |z United States. | |
| 650 | 0 | |a American drama |x Asian American authors |x History and criticism. | |
| 650 | 6 | |a Théâtre et société |z États-Unis. | |
| 650 | 6 | |a Racisme et arts |z États-Unis. | |
| 650 | 6 | |a Théâtre américain |x Auteurs américains d'origine asiatique |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a American drama |x Asian American authors. |2 fast |0 (OCoLC)fst00807002 | |
| 650 | 7 | |a Asian American theater |x Social aspects. |2 fast |0 (OCoLC)fst00818604 | |
| 650 | 7 | |a Racism and the arts. |2 fast |0 (OCoLC)fst01086649 | |
| 650 | 7 | |a Theater and society. |2 fast |0 (OCoLC)fst01149315 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Kulturanthropologie |2 gnd | |
| 650 | 7 | |a Theaterwissenschaft |2 gnd | |
| 650 | 7 | |a Schauspielkunst |2 gnd | |
| 650 | 7 | |a Ethnizität |2 gnd | |
| 650 | 7 | |a Diskriminierung |2 gnd | |
| 650 | 7 | |a Asiatischer Einwanderer |2 gnd | |
| 650 | 7 | |a Gelbe Gefahr |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | 2 | |i Container of (work): |a Kondo, Dorinne K. |t Seamless. |
| 776 | 0 | 8 | |i Print version: |a Kondo, Dorinne K. |t Worldmaking. |d Durham : Duke University Press, 2018 |z 9781478000730 |w (DLC) 2018020447 |w (OCoLC)1028884596 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv11cw1w3 |z Texto completo |
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