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Unruly visions : the aesthetic practices of queer diaspora /

In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photogra...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gopinath, Gayatri, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018
Colección:Perverse modernities.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Unruly visions :  |b the aesthetic practices of queer diaspora /  |c Gayatri Gopinath. 
246 3 0 |a Aesthetic practices of queer diaspora 
264 1 |a Durham :  |b Duke University Press,  |c 2018 
264 4 |c ©2018 
300 |a 1 online resource (xii, 236 pages, 16 unnumbered pages of plates) :  |b illustrations (some color), maps (some color) 
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490 1 |a Perverse modernities 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : archive, region, affect, aesthetics -- Queer regions : imagining Kerala from the diaspora -- Queer disorientations, states of suspension -- Diaspora, indigeneity, queer critique -- Archive, affect, and the everyday -- Epilogue : crossed eyes : toward a queer-sighted vision. 
520 |a In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms--which Gopinath conceptualizes as aesthetic practices of queer diaspora--reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
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546 |a In English. 
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650 0 |a Homosexuality and art. 
650 0 |a Aesthetics. 
650 0 |a Queer theory. 
650 6 |a Homosexualité et art. 
650 6 |a Théorie queer. 
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650 7 |a Homosexuality and art  |2 fast 
650 7 |a Queer theory  |2 fast 
650 7 |a Ästhetik  |2 gnd 
650 7 |a Kunst  |2 gnd 
650 7 |a Queer-Theorie  |2 gnd 
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830 0 |a Perverse modernities. 
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