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Mapping modernisms : art, indigeneity, colonialism /

Mapping Modernisms' brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through vis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Harney, Elizabeth (Editor ), Phillips, Ruth B. (Ruth Bliss), 1945- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2018.
Colección:Objects/histories.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Mapping modernisms :  |b art, indigeneity, colonialism /  |c Elizabeth Harney and Ruth B. Phillips, editors. 
264 1 |a Durham :  |b Duke University Press,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (xviii, 432 pages, 8 unnumbered pages of color plates) :  |b illustrations 
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490 1 |a Objects/histories: critical perspectives on art, material culture, and representation 
490 0 |a Modernist exchanges 
504 |a Includes bibliographical references and index. 
505 0 |a Reinventing Zulu tradition: the modernism of Zizwezenyanga Qwabe's figurative relief panels / Sandra Klopper -- "Hooked forever on primitive peoples": James Houston and the transformation of "Eskimo handicrafts" to Inuit art / Heather Igloliorte -- Making pictures on baskets: modern Indian painting in an expanded field / Bill Anthes -- An intersection: Bill Reid, Henry Speck, and the mapping of modern Northwest Coast art / Karen Duffek -- Modernism on display: negotiating value in exhibitions of Māori art, 1958-1973 / Damian Skinner -- "Artist of PNG?" : Mathias Kauage and Melanesian modernism / Nicholas Thomas -- Modernism and the art of Albert Namatjira / Ian McLean -- Cape Dorset cosmopolitans: making "local" prints in global modernity / Norman Vorano -- Natural synthesis: art, theory, and the politics of decolonization in mid-twentieth-century Nigeria / Chika Okeke-Agulu -- Being modern, becoming native: George Morrison's surrealist journey home / W. Jackson Rushing III -- Falling into the world: the global art world of Aloï Pilioko and Nicolaï Michoutouchkine / Peter Brunt -- Constellations and coordinates: repositioning postwar Paris in stories of African modernisms / Elizabeth Harney -- Conditions of engagement: mobility, modernism, and modernity in the art of Jackson Hlungwani and Sydney Kumalo / Anitra Nettleton -- The modernist lens of Lutterodt Studios / Erin Haney. 
520 8 |a Mapping Modernisms' brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally-inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. 'Mapping Modernisms' is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2011.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Indigenous art. 
650 0 |a Modernism (Art) 
650 0 |a Ethnic art. 
650 6 |a Art ethnique. 
650 6 |a Modernisme (Art) 
650 6 |a Art autochtone. 
650 7 |a ART  |x Performance.  |2 bisacsh 
650 7 |a ART  |x Reference.  |2 bisacsh 
650 7 |a ART / Native American  |2 bisacsh 
650 7 |a Ethnic art.  |2 fast  |0 (OCoLC)fst00915921 
650 7 |a Indigenous art.  |2 fast  |0 (OCoLC)fst01741814 
650 7 |a Modernism (Art)  |2 fast  |0 (OCoLC)fst01024442 
700 1 |a Harney, Elizabeth,  |e editor. 
700 1 |a Phillips, Ruth B.  |q (Ruth Bliss),  |d 1945-  |e editor. 
776 0 8 |i Print version:  |t Mapping modernisms.  |d Durham : Duke University Press, 2018  |z 9780822368595  |w (DLC) 2018013376  |w (OCoLC)1028907063 
830 0 |a Objects/histories. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv113157p  |z Texto completo 
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