|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1026198138 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
180402t20182018ncuaf ob 001 0 eng |
010 |
|
|
|a 2018015976
|
040 |
|
|
|a DLC
|b eng
|e rda
|e pn
|c DLC
|d OCLCO
|d OCLCQ
|d OCLCF
|d NDD
|d N$T
|d EBLCP
|d VT2
|d YDX
|d OCLCO
|d UAB
|d IAY
|d WAU
|d LEAUB
|d AU@
|d UWK
|d OCLCE
|d OCLCQ
|d LOA
|d OCLCQ
|d SFB
|d P@U
|d JSTOR
|d LUN
|d OCLCO
|d OCL
|d OCLCQ
|d QGK
|
019 |
|
|
|a 1048161456
|a 1053889190
|a 1086469218
|a 1110425897
|a 1117782156
|a 1122501272
|a 1122767299
|a 1122774441
|a 1125765537
|a 1154544767
|a 1155615934
|a 1156335342
|a 1157092828
|a 1158604587
|a 1167530012
|a 1176426198
|
020 |
|
|
|a 9780822372615
|q (electronic book)
|
020 |
|
|
|a 0822372614
|q (electronic book)
|
020 |
|
|
|z 9780822368595
|q (hardcover ;
|q alkaline paper)
|
020 |
|
|
|z 0822368595
|q (hardcover ;
|q alkaline paper)
|
020 |
|
|
|z 9780822368717
|q (paperback)
|
020 |
|
|
|z 0822368714
|q (paperback)
|
035 |
|
|
|a (OCoLC)1026198138
|z (OCoLC)1048161456
|z (OCoLC)1053889190
|z (OCoLC)1086469218
|z (OCoLC)1110425897
|z (OCoLC)1117782156
|z (OCoLC)1122501272
|z (OCoLC)1122767299
|z (OCoLC)1122774441
|z (OCoLC)1125765537
|z (OCoLC)1154544767
|z (OCoLC)1155615934
|z (OCoLC)1156335342
|z (OCoLC)1157092828
|z (OCoLC)1158604587
|z (OCoLC)1167530012
|z (OCoLC)1176426198
|
037 |
|
|
|a 22573/ctv112121q
|b JSTOR
|
042 |
|
|
|a pcc
|a dlr
|
050 |
1 |
4 |
|a N6351.2.I53
|b M37 2018
|
072 |
|
7 |
|a ART
|x 060000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 025000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 041000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 042000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 015010
|2 bisacsh
|
080 |
|
|
|a 7:325 MAP
|
082 |
0 |
0 |
|a 700/.4112
|2 23
|
084 |
|
|
|a LH 65820
|2 rvk
|0 (DE-625)rvk/94562:13104
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Mapping modernisms :
|b art, indigeneity, colonialism /
|c Elizabeth Harney and Ruth B. Phillips, editors.
|
264 |
|
1 |
|a Durham :
|b Duke University Press,
|c 2018.
|
264 |
|
4 |
|c ©2018
|
300 |
|
|
|a 1 online resource (xviii, 432 pages, 8 unnumbered pages of color plates) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
336 |
|
|
|a still image
|b sti
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
347 |
|
|
|a data file
|2 rda
|
490 |
1 |
|
|a Objects/histories: critical perspectives on art, material culture, and representation
|
490 |
0 |
|
|a Modernist exchanges
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Reinventing Zulu tradition: the modernism of Zizwezenyanga Qwabe's figurative relief panels / Sandra Klopper -- "Hooked forever on primitive peoples": James Houston and the transformation of "Eskimo handicrafts" to Inuit art / Heather Igloliorte -- Making pictures on baskets: modern Indian painting in an expanded field / Bill Anthes -- An intersection: Bill Reid, Henry Speck, and the mapping of modern Northwest Coast art / Karen Duffek -- Modernism on display: negotiating value in exhibitions of Māori art, 1958-1973 / Damian Skinner -- "Artist of PNG?" : Mathias Kauage and Melanesian modernism / Nicholas Thomas -- Modernism and the art of Albert Namatjira / Ian McLean -- Cape Dorset cosmopolitans: making "local" prints in global modernity / Norman Vorano -- Natural synthesis: art, theory, and the politics of decolonization in mid-twentieth-century Nigeria / Chika Okeke-Agulu -- Being modern, becoming native: George Morrison's surrealist journey home / W. Jackson Rushing III -- Falling into the world: the global art world of Aloï Pilioko and Nicolaï Michoutouchkine / Peter Brunt -- Constellations and coordinates: repositioning postwar Paris in stories of African modernisms / Elizabeth Harney -- Conditions of engagement: mobility, modernism, and modernity in the art of Jackson Hlungwani and Sydney Kumalo / Anitra Nettleton -- The modernist lens of Lutterodt Studios / Erin Haney.
|
520 |
8 |
|
|a Mapping Modernisms' brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally-inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. 'Mapping Modernisms' is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world.
|
588 |
0 |
|
|a Print version record.
|
506 |
|
|
|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
|
533 |
|
|
|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2011.
|5 MiAaHDL
|
538 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
|
583 |
1 |
|
|a digitized
|c 2011
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Indigenous art.
|
650 |
|
0 |
|a Modernism (Art)
|
650 |
|
0 |
|a Ethnic art.
|
650 |
|
6 |
|a Art ethnique.
|
650 |
|
6 |
|a Modernisme (Art)
|
650 |
|
6 |
|a Art autochtone.
|
650 |
|
7 |
|a ART
|x Performance.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a ART / Native American
|2 bisacsh
|
650 |
|
7 |
|a Ethnic art.
|2 fast
|0 (OCoLC)fst00915921
|
650 |
|
7 |
|a Indigenous art.
|2 fast
|0 (OCoLC)fst01741814
|
650 |
|
7 |
|a Modernism (Art)
|2 fast
|0 (OCoLC)fst01024442
|
700 |
1 |
|
|a Harney, Elizabeth,
|e editor.
|
700 |
1 |
|
|a Phillips, Ruth B.
|q (Ruth Bliss),
|d 1945-
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Mapping modernisms.
|d Durham : Duke University Press, 2018
|z 9780822368595
|w (DLC) 2018013376
|w (OCoLC)1028907063
|
830 |
|
0 |
|a Objects/histories.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv113157p
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5567150
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1918852
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 15184869
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse80297
|
994 |
|
|
|a 92
|b IZTAP
|