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|a Dai, Jinhua,
|d 1959-
|e author.
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|a After the post-cold war :
|b the future of Chinese history /
|c Dai Jinhua ; edited and with an introduction by Lisa Rofel.
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|a Durham :
|b Duke University Press,
|c 2018.
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|c ©2018
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|a 1 online resource (xxiv, 199 pages) :
|b illustrations
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|a text
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|a online resource
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|a Sinotheory
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|a Includes bibliographical references and index.
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|a Part I. Trauma, evacuated memories, and inverted histories. I want to be human: a story of China and the human / translated by Shuang Shen -- Hero and the invisible tianxia / translated by Yajun Mo -- Part II. Class, still lives, and masculinity. Temporality, nature morte, and the filmmaker: a reconsideration of still life / translated by Lennet Daigle -- The piano in a factory : class, in the name of the father / translated by Jie Li -- Part III. The spy genre. The spy-film legacy: a preliminary cultural analysis of the spy film / translated by Chris Connery -- In vogue: politics and the nation-state in Lust, Caution and the Lust, Caution phenomenon in China / translated by Erebus Wong and Lisa Rofel -- Finale. history, memory, and the politics of representation / translated by Rebecca Karl -- Interview with Dai Jinhua, July 2014 / by Lisa Rofel.
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|a In After the Post-Cold War eminent Chinese cultural critic Dai Jinhua interrogates history, memory, and the future of China as a global economic power in relation to its socialist past, profoundly shaped by the Cold War. Drawing on Marxism, post-structuralism, psychoanalysis, and feminist theory, Dai examines recent Chinese films that erase the country's socialist history to show how such erasure resignifies socialism's past as failure and thus forecloses the imagining of a future beyond that of globalized capitalism. She outlines the tension between China's embrace of the free market and a regime dependent on a socialist imprimatur. She also offers a genealogy of China's transformation from a source of revolutionary power into a fountainhead of globalized modernity. This narrative, Dai contends, leaves little hope of moving from the capitalist degradation of the present into a radical future that might offer a more socially just world.
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|a Print version record.
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651 |
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|a China
|x Civilization
|y 21st century.
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|a China
|x History
|y 2002-
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650 |
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|a Motion pictures
|z China
|x History.
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|a Motion pictures and history.
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651 |
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|a Chine
|x Civilisation
|y 21e siècle.
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|a Chine
|x Histoire
|y 2002-
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|a Cinéma
|z Chine
|x Histoire.
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650 |
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|a Cinéma et histoire.
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650 |
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|a HISTORY
|z Asia
|x China.
|2 bisacsh
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|a HISTORY / Asia / China
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|
650 |
|
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|a Civilization
|2 fast
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7 |
|a Motion pictures
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650 |
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7 |
|a Motion pictures and history
|2 fast
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651 |
|
7 |
|a China
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|
648 |
|
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|a Since 2000
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655 |
|
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|a History
|2 fast
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700 |
1 |
|
|a Rofel, Lisa,
|d 1953-
|e editor,
|e writer of introduction.
|
776 |
0 |
8 |
|i Print version:
|a Dai, Jinhua, 1959-
|t After the post-cold war.
|d Durham : Duke University Press, 2018
|z 9781478000389
|w (DLC) 2018007280
|w (OCoLC)1025427809
|
830 |
|
0 |
|a Sinotheory.
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1134g9d
|z Texto completo
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