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|a Ghadessi, Touba.
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|a Portraits of Human Monsters in the Renaissance :
|b Dwarves, Hirsutes, and Castrati As Idealized Anatomical Anomalies.
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| 260 |
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|a Kalamazoo :
|b Medieval Institute Publications,
|c 2018.
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| 300 |
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|a 1 online resource (221 pages)
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|a text
|b txt
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|a online resource
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|a Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity Ser.
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|a Print version record.
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| 500 |
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|a PortraitsOfHumanMonstersFrontCoverTW; MIP-MPD_Ghadessi-Portraits_REG (1).
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| 504 |
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|a Includes bibliographical references and index.
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|a Difference as an inquiry -- Renaissance portrait and intellectual frame -- Perfected miniatures -- dwarves at court -- A civilized savage -- the hirsute's conquest -- Audible absence -- the castrato's voice.
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|a JSTOR
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|a Courts and courtiers in art.
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|a Personnes handicapées dans l'art.
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|a Monstres dans l'art.
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|a Cours et courtisans dans l'art.
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|a Portraits de la Renaissance.
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|a HISTORY
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|i Print version:
|a Ghadessi, Touba.
|t Portraits of Human Monsters in the Renaissance : Dwarves, Hirsutes, and Castrati As Idealized Anatomical Anomalies.
|d Kalamazoo : Medieval Institute Publications, ©2018
|z 9781580442756
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| 830 |
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0 |
|a Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity Ser.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvvncff
|z Texto completo
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